Details

Title

Concert Hall Sound Clarity: A Comparison of Auditory Judgments and Objective Measures

Journal title

Archives of Acoustics

Yearbook

2012

Volume

vol. 37

Issue

No 1

Authors

Keywords

sound clarity ; room acoustics ; psychoacoustics

Divisions of PAS

Nauki Techniczne

Coverage

41-46

Publisher

Polish Academy of Sciences, Institute of Fundamental Technological Research, Committee on Acoustics

Date

2012

Type

Artykuły / Articles

Identifier

DOI: 10.2478/v10168-012-0006-7

Source

Archives of Acoustics; 2012; vol. 37; No 1; 41-46

References

Barron M. (1988), Subjective study of British symphony concert halls, Acustica, 66, 1. ; Barron M. (1993), Auditorium acoustics and architectural design. ; Beranek L. (2004), Concert halls and opera houses: Music, acoustics and architecture. ; Cox T. (1993), The sensitivity of listeners to early sound field changes in auditoria, Acustica, 79, 27. ; Gabrielsson A. (1979), Perceived sound quality of sound-reproducing systems, J. Acoust. Soc. Am., 65, 1019, doi.org/10.1121/1.382579 ; Gołaś A. (2009), Analysis of dome hall theatre acoustic field, Archives of Acoustics, 34, 273. ; Höhne R. (1995), Zur Wahrnehmbarkeit von Deutlichkeits- und Durchsichtigkeitsunterschieden in Zuhörersälen, Acustica, 81, 309. ; Marshall L. (1994), An acoustics measurement program for evaluating auditoriums based on the early/late sound energy ratio, J. Acoust. Soc. Am., 96, 2251, doi.org/10.1121/1.410097 ; Reichardt W. (1975), Definition und Messgrundlage eines objektiven Masses zur Ermittlung der Grenze zwischen brauchbarer und unbrauchbarer Durchsichtigkeit beim Musikdarbietung, Acustica, 32, 126. ; Reichardt W. (1974), Abhängigkeit der Grenzen zwischen brauchbarer und unbrauchbarer Durchsichtigkeit von der Art des Musikmotivs, der Nachhallzeit und der Nachhalleinsatzzeit, Appl. Acoust., 7, 243, doi.org/10.1016/0003-682X(74)90033-4 ; Zwislocki J. (1980), Absolute scaling and sensory magnitudes: A validation, Percept. Psychophys., 28, 28, doi.org/10.3758/BF03204312
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