TitleAbsolute Pitch and Its Frequency Range
Journal titleArchives of Acoustics
Divisions of PASNauki Techniczne
Archives of Acoustics is an English-language peer-reviewed quarterly journal publishing original research papers from all areas of acoustics and abstracts from some specialised acoustical conferences. It gives free internet access to its full content (abstracts of research papers) to current issues.
Archives of Acoustics, the peer-reviewed quarterly journal publishes original research papers from all areas of acoustics like:
- acoustical measurements and instrumentation,
- acoustics of musics,
- architectural, building and environmental acoustics,
- linear and nonlinear acoustics,
- noise and vibration,
- physical and chemical effects of sound,
- physiological acoustics,
- quantum acoustics,
- speech processing and communication systems,
- speech production and perception,
- underwater acoustics.
Earlier issues are available on the old website http://acoustics.ippt.gov.pl/index.php/aa/issue/archive
PublisherCommittee on Acoustics PAS, PAS Institute of Fundamental Technological Research, Polish Acoustical Society
IdentifierISSN 0137-5075 ; eISSN 2300-262X
ReferencesBachem A. (1937), Various types of absolute pitch, Journal of the Acoustical Society of America, 9, 146, doi.org/10.1121/1.1915919 ; Bachem A. (1948), Chroma fixation at the ends of the musical frequency scale, Journal of the Acoustical Society of America, 20, 704, doi.org/10.1121/1.1906428 ; Bachem A. (1955), Absolute pitch, Journal of the Acoustical Society of America, 27, 1180, doi.org/10.1121/1.1908155 ; Deutsch D. (2006), Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speechrelated critical period (L), Journal of the Acoustical Society of America, 119, 719, doi.org/10.1121/1.2151799 ; Makomaska S. (2008), The prevalence of various kinds of absolute pitch in students at Polish music schools [in Polish]. ; Miyazaki K. (1988), Musical pitch identification by absolute pitch possessors, Perception and Psychophysics, 44, 501, doi.org/10.3758/BF03207484 ; Miyazaki K. (2007), Absolute pitch and its implications for musics, Archives of Acoustics, 32, 3, 529. ; Miyazaki K. (2006), Learning absolute pitch by children: A cross-sectional study, Music Perception, 24, 63. ; Parncutt R. (2001), The New Grove Dictionary of Music and Musicians, 1, 37. ; Rakowski A. (2009), The domain of pitch in music, Archives of Acoustics, 34, 4, 429. ; Rakowski A. (2007), Absolute pitch: Common traits in music and language, Archives of Acoustics, 32, 1, 5. ; Rakowski A. (2008), Absolute pitch as a measuring device in psychoacoustic experiments, null. ; Rogowski P. (2010), Pitch strength of residual sounds estimated through chroma recognitions by absolute-pitch possessors, Archives of Acoustics, 35, 3, 331, doi.org/10.2478/v10168-010-0028-y ; Schouten J. (1962), Pitch of the residue, Journal of the Acoustical Society of America, 34, 1418, doi.org/10.1121/1.1918360 ; Takeuchi A. (1993), Absolute pitch, Psychol. Bull, 113, 345, doi.org/10.1037/0033-2909.113.2.345 ; Teplov B. (1947), Psychology of musical talent [in Russian], Editions of the Academy of Pedagogical Sciences RSFSR, Moscow-Leningrad, Polish translation. ; Ward D. (1999), The Psychology of Music.