TitleLoudness Assessment of Musical Tones Equalized in A-weighted Level
Journal titleArchives of Acoustics
Divisions of PASNauki Techniczne
Archives of Acoustics is an English-language peer-reviewed quarterly journal publishing original research papers from all areas of acoustics and abstracts from some specialised acoustical conferences. It gives free internet access to its full content (abstracts of research papers) to current issues.
Archives of Acoustics, the peer-reviewed quarterly journal publishes original research papers from all areas of acoustics like:
- acoustical measurements and instrumentation,
- acoustics of musics,
- architectural, building and environmental acoustics,
- linear and nonlinear acoustics,
- noise and vibration,
- physical and chemical effects of sound,
- physiological acoustics,
- quantum acoustics,
- speech processing and communication systems,
- speech production and perception,
- underwater acoustics.
Earlier issues are available on the old website http://acoustics.ippt.gov.pl/index.php/aa/issue/archive
PublisherCommittee on Acoustics PAS, PAS Institute of Fundamental Technological Research, Polish Acoustical Society
IdentifierISSN 0137-5075 ; eISSN 2300-262X
ReferencesBenade A. (1991), Fundamentals of musical acoustics. ; Campbell M. (2001), The musician's guide to acoustics. ; Gelfand S. (2004), Hearing: an introduction to psychological and physiological acoustics, fourth edition, revised and expanded. ; Grey J. (1975), <i>An exploration of musical timbre</i>, Ph.D. Thesis, Stanford University, Stanford. ; Hajda J. (1997), Perception and cognition of music, 253. ; Harajda H. (1993), Microstructure of sound: formants in the dynamical spectra of violin sounds, Archives of Acoustics, 18, 1, 17. ; Hellman R. (1987), Why can a decrease in db(a) produce an increase in loudness?, The Journal of the Acoustical Society of America, 82, 5, 1700, doi.org/10.1121/1.395162 ; Iverson P. (1995), Auditory stream segregation by musical timbre: effects of static and dynamic acoustic attributes, Journal of Experimental Psychology, Human Perception and Performance, 21, 4, 751, doi.org/10.1037/0096-1522.214.171.1241 ; Iverson P. (1993), Isolating the dynamic attributes of musical timbre, The Journal of the Acoustical Society of America, 94, 5, 2595, doi.org/10.1121/1.407371 ; Kendall R. (1991), Perceptual scaling of simultaneous wind instrument timbres, Music Perception, 8, 4, 369. ; Kendall R. (1993), Identification and blend of timbres as a basis for orchestration, Contemporary Music Review, 9, 51, doi.org/10.1080/07494469300640341 ; Kendall R. (1999), Perceptual and acoustical features of natural and synthetic orchestral instrument tones, Music Perception, 16, 3, 327. ; Kiess H. (1985), Psychological Research Methods: A Conceptual Approach. ; Kostek B. (2001), Representing musical instrument sounds for their automatic classification, Journal of the Audio Engineering Society, 49, 9, 768. ; Kostek B. (1997), Parametric representation of musical sounds, Archives of Acoustics, 22, 1, 3. ; Leek M. (2001), Adaptive procedures in psychophysical research, Perception & Psychophysics, 63, 8, 1279, doi.org/10.3758/BF03194543 ; Marozeau J. (2003), The dependency of timbre on fundamental frequency, The Journal of the Acoustical Society of America, 114, 5, 2946, doi.org/10.1121/1.1618239 ; Meyer J. (2009), Acoustics and the performance of music: manual for acousticians, audio engineers, musicians, builders of musical instruments and architects. ; Miśkiewicz A. (1992), Music vs noise: a comparison of loudness estimates, Archives of Acoustics, 17, 2, 203. ; Miśkiewicz A. (1994), Loudness level versus sound-pressure level: a comparison of musical instruments, The Journal of the Acoustical Society of America, 96, 6, 3375, doi.org/10.1121/1.411448 ; Moore B. (1989), An introduction to the psychology of hearing. ; Papanikolaou G. (2009), Multiple dichotomies in timbre research, Archives of Acoustics, 34, 2, 127. ; Sandell G. (1995), Roles for spectral centroid and other factors in determining "blended" instruments pairings in orchestration, Music Perception, 13, 2, 209. ; Silva I. (2006), Effect of adaptive psychophysical procedure on loudness matches, The Journal of the Acoustical Society of America, 120, 4, 2124, doi.org/10.1121/1.2336747 ; Skovenborg E. (2004), Evaluation of different loudness models with music and speech material, null. ; Taylor M. (1967), Pest: efficient estimates on probability functions, The Journal of the Acoustical Society of America, 41. ; Zwicker E. (1990), Psychoacoustics: facts and models.