Details

Title

Instrumenty Aleksandra Wata

Journal title

Ruch Literacki

Yearbook

2017

Numer

No 4 (343)

Publication authors

Keywords

Aleksander Wat

Divisions of PAS

Nauki Humanistyczne i Społeczne

Abstract

The poetic work of Aleksander Wat has enjoyed unfl agging popularity for the last 25 years. Critical appreciations of his work invariably emphasize a strong connection between his poetic work and some elements of his biography, i.e. detention in NKVD prisons, deportation to Soviet Central Asia, and the pain and stress of an incurable illness in the late fi fties and sixties. This article argues that the key to his verse can be found the concept of somatopoetry which takes into account both the heightened awareness of the body and the sensuality of Wat’s lyrical utterance. More specifi cally, this article attempts to draw an acoustic map of the poet’s verse written between 1957 and 1967, using the tools of f musicology, cultural anthropology of things and audio-anthropology. Drawing on Andrzej Hejmej’s concept of musicality Type 2 (thematization of music in a literary composition), the article tries to trace the presence of instruments in Wat’s work and assess their phonic and cultural roles in the creation of meaning. Finally, the article claims that the phonic layer beneath the references to instruments forms a track that can be described as a route to the poet’s death.

Publisher

Polska Akademia Nauk Oddział w Krakowie Komisja Historycznoliteracka ; Uniwersytet Jagielloński Wydział Polonistyki

Date

2017.08.10

Type

Artykuł

Identifier

ISSN 0035-9602

DOI

10.1515/ruch-2017-0044

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