The text deals with the issue of “historical biography”. It aims to reconstruct the key concepts connected with the biographical publishing series “The Legacies of the progressive personalities of our past”. The text answers the question what conceptual framework surrounded and legitimised the edition.
The concept of city has got broad analytical perspectives, one of them are: the structural perspective, sociological, psychological, political, cultural, industrial and also the pedagogical perspective. In opposition to the concept of city is the concept of countryside, within which the concept of nature is regarded as an idyllic place, it is the place of childhood, the place of longing, it is the lost place that has been starting to go under the knife of time since the 20s of the last century. The apotheosis of the concept of city, that is being practiced by many artists, embracing the symbolics of the concept of city by mass culture and later by popular culture, causes the necessity to take the initiative of conducting the research that would attempt to establish the identity of the concept of city in modern culture. The article attempts to specify how the concept of city functions in popular culture through the analysis of chosen texts in popular music, starting from the 50s of the XX century until the XXI century.
This article outlines the rise and development of popular science periodicals in Poland from the 18th century until 1939. Their history begins in 1758 with the publication of Nowe Wiadomości Ekonomiczne i Uczone [Latest Economic and Learned News]. Our corpus includes 128 periodicals representing a great diversity of formats and content.
The Epistle of Barnabas, usually included in the works of the Apostolic Fathers, is an anonymous text written in koiné Greek. It was probably composed between the end of the First and the beginning of the Second Century in an Egyptian or Syro-Palestinian setting. The text is made up of two parts: the first one has an anti-Judaic apologetic nature; the second one is instructive and paraenetical. The Latin version of the Epistle (L), which is useful in the constitutio textus of the original too, concerns the first of the two parts. An analysis of the language and of the technique of translation allows asserting that L was probably compiled in Rome between the end of the Second and the beginning of the Third Century. Moreover, its main features may be identified in the literality and in the linguistic and stylistic popularity. The literality is both quantitative and distributional: the changes are usually narrow (except expressions which introduce Biblical quotations) and concern parts which may be considered accessory by a semantic point of view. The popular style is due to the attention the translator pays to the needs of the sociocultural situation of the readers and is confirmed by the presence of rhetorical figures as alliteration. These two characteristics, which are typical of Latin translations of Greek Patristic texts compiled between the end of the Second and the beginning of the Third Century, are due to stylistic choices which are homogeneously and congruently applied. Moreover, in L these characteristics are strictly bound, because the sermo humilis characterizes the Greek text too.
This article combines a general introduction to the crime fi ction of Walery Przyborowski with a study of the structure of the plot of his novels. The analyses of ten of his novels conclude with a typology of their narrative schemes, shown in the context of certain invariant patterns and the conventions of related literary genres. While the main objective of this study is to outline the structure of crime story and the social issues depicted in Przyborowski’s crime fi ction, it also pays some attention to the ways in which it refl ects his concerns about contemporary life and the condition of Poland under foreign rule. Basically, Przyborowski’s formula is to make use of the staples of the genre – mystery, adventure, romance – and the techniques of the popular novel. Moreover, his novels, like all of the 19th-century crime fi ctions, are clearly indebted to the conventions of the historical novel.
This paper examines the coverage of women’s health issues, preventive care and prophylaxis in 19th-century Polish popular medical periodicals, in particular Dziennik Zdrowia dla Wszystkich Stanów [ Journal of Health for all Social Classes] (1801–1802), Przyjaciel Zdrowia [ Health’s Friend] (1861–1863), Zdrowie [ Health] (1877/78–1880), and Lekarz [ The Physician] (1903/04–1904/05). The authors of this study try to find an answer to the question whether those periodicals did succeed in giving women’s health issues the rank and status warranted by their significance.
This article deals with Janusz Makarczyk’s bestselling historical romance Jafar of Baghdad, first published in 1950. Makarczyk had a varied career as a journalist, travel writer of the ‘globtrotter school’, military officer, diplomat and academic; his deep involvement with the Middle East and Arab history began in the 1926 when he was sent to the Polish consulate in Jerusalem. The life of Jafar ibn Yahya provided him not only with enough material for a gripping story of love and romance but also a pretext for painting a broad canvas of historical events and personages. Addressed to younger readers, the book is didactic in the sense that it offers them basic information about Islam (e.g. the division between the sunni and the shia) as well as lots of facts about the Arab world at the peak of the Abbasid Age (e.g. Harun al-Rashid and the struggle for his succession; rise and fall of the powerful Barmakid family, Harun al-Rashid’s half-sister Abassa; the great Islamic jurists Malik ibn Anas, Muhammad al-Shaybani and Al-Shafi ‘i; an assortment of poets and scholars, including the translator Ibn al-Muqaffa). In addition to countless allusions to the Book of the Thousand Nights and One Night, the narrative is encrusted with explicit and covert quotes from the Qur’an, Arabic adages and proverbs (32), the poems of Abu-l-’Atahiya and Abu Nuwas. The writer is aware that the allusions and learned references need to be contextualized in a way that is functional and that their incorporation into the main text must be handled with maximum flexibility. The great popularity of Jafar of Baghdad in its time can be taken as proof that Makarczyk did succeed in bringing the two functions of his novel, the cognitive and the aesthetic – to instruct and to please – into a harmonious whole.