Abstract
The article presents the history of the competition and design of the building originally intended for the Juliusz Osterwa Theatre in Lublin (currently the Centre for the Meeting of Cultures). Both the concepts of the location of the building and urban conditions were discussed, as well as various conceptual designs of the theatre, awarded and distinguished in an architectural competition at the turn of the 1950s and 1960s. In the further part of the article, the concept of the experimental scene, proposed by Kazimierz Braun in the early 1970s, is discussed. The background for the reconstruction of the history of the design and construction of the building are changes in the style and arrangement of the modern theatre architecture, with particular emphasis on Central and Eastern Europe.
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