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Abstract

What we intend to do in this short essay is to consider part of the epistolary of Rebora as a literary object, an object that follows the condition of poetry hand in hand (at least in certain moments) and that often goes beyond it precisely at the level of daring formal and semantic. In evaluating the epistolary under the literary aspect, in its creativity so similar to writing in verse, our pourpose is to demonstrate how at the basis of Rebora’s expressiveness (or expressionism) there is a powerful endogenous drive, and that his disorder is psychological rather than cultural, or “stylistic”.
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Authors and Affiliations

Stefano Rosatti
1
ORCID: ORCID

  1. Università d'Islanda, Reykjavík

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