The author reflects on the issues raised in R. Ingarden’s article The Work of Music and the Problem of Its Identity. He considers them and presents them in a new light. This author believes that the musical works exist as special relations between special objects. At the same time, he refuses to consider musical creativity a product of human consciousness. In his opinion, consciousness only accepts or rejects musical phrases that present themselves as a product of unconscious brain activity.

According to Paweł Okołowski, Bogusław Wolniewicz made a conversion: he abandoned Marxism and adopted Christianity. This author undertakes to restablish how true this claim may be. In his own opinion, Wolniewicz accepted social theory of Karl Marx (Marxism in the strict sense) all his life, although he definitely rejected the idea of communism. This author defines Wolniewicz’s position as ‘Christianism’ rather than ‘Christianity’, because Wolniewicz admitted that Christianity was the basis of the Western civilization in public life. Despite this approach to the issue of faith, he was not – as far as we can say – a religious person in the traditional sense of the term.