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Abstract

The Upper Greensand Formation, mostly capped by the Chalk, crops out on the edges of a broad, dissected

plateau in Devon, west Dorset and south Somerset and has an almost continuous outcrop that runs from the Isle

of Purbeck to the Vale of Wardour in south Wiltshire. The Formation is well exposed in cliffs in east Devon and

the Isle of Purbeck, but is poorly exposed inland. It comprises sandstones and calcarenites with laterally and

stratigraphically variable amounts of carbonate cement, glauconite and chert. The sedimentology and palaeon-

tology indicate deposition in marginal marine-shelf environments that were at times subject to strong tidal and

wave-generated currents. The formation of the Upper Greensand successions in the region was influenced by

penecontemporaneous movements on major fault zones, some of which are sited over E-W trending Variscan

thrusts in the basement rocks and, locally, on minor faults. Comparison of the principal sedimentary breaks in

the succession with the sequence boundaries derived from world-wide sea-level curves suggests that local tec-

tonic events mask the effects of any eustatic changes in sea level. The preserved fauna is unevenly distributed,

both laterally and stratigraphically. Bivalves, gastropods and echinoids are common at some horizons but are

not age-diagnostic. Ammonites are common at a few stratigraphically narrowly defined horizons, but are rare

or absent throughout most of the succession. As a result, the age of parts of the succession is still poorly known

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Authors and Affiliations

Ramues Gallois
Hugh Owen
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Abstract

Magazyn Muzyczny was one of the two top 'cult magazines' of the communist period. Like its rival, Non Stop, it promoted pop music, especially rock. Both magazines went through a similar evolution, although the latter had a much longer history, as it was the direct successor of Jazz, the oldest entertainment music magazine in Central and Eastern Europe, established in 1956. However, since the 1980s — what with editorial, personal, structural changes, and above all the shift of the musical taste of many, mainly young Poles, effected by the rock boom — it became in principle (and in recent years) a virtually new periodical. Its quantitative (structural) analysis has filled the content of this article, but it also forms the basis of a broader study, which is due to appear in print in the near future in the form of a two-volume monograph.
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Authors and Affiliations

Artur Mariusz Trudzik
1
ORCID: ORCID

  1. Instytut Literatury i Nowych Mediów, Wydział Humanistyczny, Uniwersytet Szczeciński

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