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Abstract

Design of a delta/polygon-connected autotransformer based 36-pulse ac-dc converter is presented in this paper. The 36-pulse topology is obtained via two paralleled eighteen-pulse ac-dc converters each of them consisting of a nine-phase (nine-leg) diode bridge rectifier. For independent operation of paralleled diode-bridge rectifiers, two interphase transformers (IPT) is designed and implemented. A transformer is designed to supply the rectifier. The design procedure of magnetics is in a way such that makes it suitable for retrofit applications where a six-pulse diode bridge rectifier is being utilized. The proposed structure has been implemented and simulated using Matlab/Simulink software under different load conditions. Simulation results confirmed the significant improvement of the power quality indices (consistent with the IEEE-519 standard requirements) at the point of common coupling. Furthermore, near unity power factor is obtained for a wide range of DTCIMD operation. A comparison is made between 6-pulse and proposed converters from view point of power quality indices. Results show that input current total harmonic distortion (THD) is less than 4% for the proposed topology at variable loads.

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Authors and Affiliations

Rohollah Abdollahi
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Abstract

The category of “Supreme Peace” (taiping) is one of the core concepts of Chinese historical thinking. The following article analyses the development of this idea from its earliest Daoist and Confucian articulations up to Gong Zizhen, at the threshold of the Taiping Rebellion. It is shown that the evolution of the Chinese philosophy of history could to some extent be observed through the prism of the transformations of the concept of taiping. Importantly, the paper argues that it was the notion of Supreme Peace itself that transformed Chinese thought into openly linear and progressive positions and therefore opened it up for a constructive and critical engagement with modern Western historical thinking.
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Bibliography

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Authors and Affiliations

Dawid Rogacz
1
ORCID: ORCID

  1. Uniwersytet im. Adama Mickiewicza w Poznaniu
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Abstract

The article is devoted to demonstrating the presence of F. Dostoyevsky’s thought in the drama The Wedding Rings by Lidiya Zinov’yeva‑Annibal. Dostoevsky occupied an important place in the lives and works of the Russian symbolists (including L. Zinov’yeva‑Annibal), as reflected by their diaries and articles, as well as contemporary studies. In the Russian poet’s drama the intertextual relationships with the novel The Idiot are especially visible. First of all they are manifested in the construction of the protagonist, who has the same name as that of The Idiot), but also in conceptualizing such motifs as: love (the love triangle), beauty, good, sacrifice, devoting oneself to others. The presented studies lead to the conclusion that in spite of the fact that the creation of the drama protagonist reveals certain features in common with Dostoyevsky’s heroines, the very conceptualizing of this figure is different: in the case of Lidiya Zinov’yeva‑Annibal it is based on the “logic of triplicity” and in the symbolist thinking about Eros.
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Authors and Affiliations

Agnieszka Gozdek
1
ORCID: ORCID

  1. Lublin, Uniwersytet Marii Curie‑Skłodowskiej

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