The aim of this article is to analyze the relationship between ideology and fantastic literature using the example of Jean-Pierre Andrevon's fantastic novel L’Oeil derrière l’épaule. While fantastic literature as a genre is most often the carrier of right-wing, reactionary and conservative values (Lovecraft, Ray), Andrevon remains the specific case of a writer who openly defines himself as a leftist. The analysis of the “ideology-effect” (the unconscious ideological mask of the text according to Hamon) and of the “value-effect” (ideas that the text consciously promotes according to Jouve), as well as Hamon's points of textual ideological value and carriers of ideological distortions, permits a conclusion that the author did not adopt any ideological stance a priori and that the global value (right-wing and left-wing) emanating from the text is freedom.

In the paper, author presents the analysis of the elastic-plastic residual stresses and the boundaries of plastic zones in two-dimensional model with central circular hole. The experimental testing was carried out by photoelastic coating method. The duralumin model was loaded within the overelastic range by uniformly distributed tensile stresses. For various levels of loading, the photographs of isochromatic pattern were taken. The residual stresses along the axis of symmetry perpendicular to the stretching direction were calculated by the characteristics method, using multisectional schematization of ϭ-ε relation for the material. The boundaries of plastic zones in the loaded model were obtained on the basis of the Treska-Coulomb yield condition directly from the isochromatic pattern. The analysis and discussion of the test results is presented.