Photovoltaic (PV) cells are very costly because of the silicon element which is not cheaply available. Usually, PV cells are preferred to be used at maximum efficiency. Therefore, PV plants are emphasized to extract maximum power from PVcells. When inertia free PV plants are integrated into the grid in large numbers, the problem of maintaining system stability subjected to load perturbation is quite difficult. In response to this, a control topology is being an approach to make available the PV cells in maintaining system stability by utilizing the system frequency deviation as feedback to the controller. To implement this, the PVs are operated at Maximum Power Point Tracking (MPPT). This allows the PV to operate at Pseudo Maximum Power Point tracking (PMPPT) which makes it possible to run the PV with reserve power capacity without employing a battery for storage. The control strategy has been implemented over a two-stage power conversion model of the PV system. The simulation results showed that the proposed control PMPPT topology is effective in frequency regulation capability as compared to the MPPT technique.
This article is built on the premise that the topos has become a potent unit of cultural memory, an image that stores a wealth of often vague, buried or forgotten ideas. Its contents, like those of literature, tend to become extraordinarily condensed and confl ated; in consequence, some topoi (in particular the Holocaust topos) defy conventional tools of understanding and analysis. A solution to this problem can be found in an approach which broadens the scope of the sources of the Holocaust to include pop culture; gives up the rigid classifi cation of topoi, based on ‘hard’, documentary evidence; and, draws on a conceptual frame that connects the topos with the mechanisms of remembrance. A practical application of this approach is offered here in a series of readings of selected passages from Marcin Pilis’s novel The Meadow of the Dead (Łąka umarłych), Zygmunt Miłoszewski’s crime story A Grain of Truth (Ziarno prawdy), Marcin Wolski’s alternate history novel Wallenrod, Justyna Wydra’s war romance The SS-man and a Jewess (Esesman i Żydówka), Krzysztof Zajas’s thriller Oszpicyn [local Yiddish: Auschwitz] as well as some poems by Jacek Podsiadło from his volume The Breguet Overcoil (Włos Bregueta).