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Abstract

The present paper aims at investigating the problem of translating interjections from English into Polish. William Shakespeare’s Hamlet and its Polish translations by J. Paszkowski (1961), M. Słomczyński (1978), and S. Barańczak (1990) are chosen as the corpus for the present study. The analysis of the translations of the original English interjections will reveal the translational strategies followed by the translators. The first part of the paper is devoted to a short discussion concerning the definition and taxonomy of interjections. Next, the problem of the role interjections play in drama is discussed on the basis of the specialist literature. Finally, different translation strategies are presented followed by the analysis of the corpus material.

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Authors and Affiliations

Anna Drzazga
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Abstract

The following paper aims to analyse the functions of the interjection oh in the English corpus provided by Helen Fielding’s Bridget Jones’s Diary and its translation into Polish. Once the functions and patterns of the form are defined, the translation strategies employed are analysed. The study reveals which translational strategies proposed by Cuenca (2006) are employed in the translation of oh: literal translation, using an interjection with dissimilar form but having the same meaning, using a non‑interjective structure but with similar meaning, using an interjection with a different meaning, omission, or addition of usually a primary interjection. The analysis of the interjection oh is preceded by a very brief presentation of various approaches focusing on the problem of defining and classifying interjections, as well as the presentation of the research concerning the interjection oh and its description in the specialist literature.
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Authors and Affiliations

Anna Drzazga
1

  1. University of Silesia in Katowice
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Abstract

The present paper is an empirical, corpus-based study of the Polish translations of Shakespeare’s agentive neologisms in -er in the nineteenth and twentieth centuries. The inspiration for the analysis was Kalaga’s book Nomina Agentis in the Language of Shakespearean Drama (2016), where the author selects 39 Shakespeare’s agentive neologisms in - er. The paper surveys qualitative and quantitative tendencies of translation techniques adopted by nineteenth and twentieth-century translators occurring in the corpus placed against the context of general discussion on the translation of neologisms. A brief discussion concerning word formation processes with the suffix - er in the current and Early Modern English systems of word formation precedes the analysis.
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Authors and Affiliations

Anna Drzazga
1

  1. Institute of Linguistics University of Silesia, Katowice, Poland
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Abstract

Research on automatic translation has recently become a very popular field of study for linguists. The process of adjusting data collected from language to meet the machine’s potential and efficiency requires the knowledge and use of an accurate and effective methodology. The linguist’s task is not only to feed data collected from traditional language dictionaries into the computer’s memory, but it is also necessary to take into consideration all the relations that hold among the elements being described, as the aim of automatic translation is to enable the system to carry out an accurate and effective translation of texts. The paper is also an attempt to show how the object oriented approach proposed by W. Banyś resolves the problem of polysemy of words in a natural language which is one of the major problems in computer assisted translation. For the computer assisted translation to be exhaustive and effective, a process of disambiguation of a polysemous word should be carried out thus enabling a correct generation of its equivalents in a target language, which is presented on the basis of the English causative verb open.

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Authors and Affiliations

Anna Drzazga
Aleksandra Żłobińska-Nowak

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