Abstract
In this comparative study of Angela Carter’s “The Lady of the House of Love” (1979) and Werner
Herzog’s Nosferatu: Phantom der Nacht (1979) eating habits, relation to the domestic and to
(ir)rationality are examined in the female and male characters in both works to show how their authors
create gender hybridity. Drawing upon Eve Kosofsky Sedgwick’s Between Men: English Literature
and Male Homosocial Desire (1985), the article proposes that the hybridity reproduces patriarchal
transfer of power.
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