Virtual or active acoustics refers to the generation of a simulated room response by means of electroacoustics and digital signal processing. An artificial room response may include sound reflections and reverberation as well as other acoustic features mimicking the actual room. They will cause the listener to have an impression of being immersed in virtual acoustics of another simulated room that coexists with the actual physical room. Using low-latency broadband multi-channel convolution and carefully measured room data, optimized transducers for rendering of sound fields, and an intuitive touch control user interface, it is possible to achieve a very high perceived quality of active acoustics, with a straightforward adjustability. The electroacoustically coupled room resulting from such optimization does not merely produce an equivalent of a back-door reverberation chamber, but rather a fully functional complete room superimposed on the physical room, yet with highly selectable and adjustable acoustic response. The utility of such active system for music recording and performance is discussed and supported with examples.

A method for precise sound sources detection and localization in interiors is presented. Acoustic vector sensors, which provide multichannel output signals of acoustic pressure and particle velocity were employed. Methods for detecting acoustic events are introduced. The algorithm for localizing sound events in the audience is presented. The system set up in a lecture hall, which serves as a demonstrator of the proposed technology, is described. The accurracy of the proposed method is evaluated by the described measurement results. The analysis of the results is followed by conclusions pertaining the usability of the proposed system. The concept of the multimodal audio-visual detection of events in the audience is also introduced.

The absorption of sound in air represents one of the main problems of the scale model measurements. This absorption, especially at higher frequencies, is considerably greater than the value determined by the law of acoustical similarity between the full scale and the scale model. Different alternatives are applied for compensation of the excess air absorption including a numerical compensation. In this paper, a modified approach to numerical compensation is proposed. It is based on compensation of the sound decay only, and not background noise. As a consequence, there is no an increase of background noise in the compensated impulse response. The results obtained by the proposed procedure are compared to the corresponding ones obtained by the other procedures.