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Abstract

The author reflects on the issues raised in R. Ingarden’s article The Work of Music and the Problem of Its Identity. He considers them and presents them in a new light. This author believes that the musical works exist as special relations between special objects. At the same time, he refuses to consider musical creativity a product of human consciousness. In his opinion, consciousness only accepts or rejects musical phrases that present themselves as a product of unconscious brain activity.
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Authors and Affiliations

Jędrzej Stanisławek
1
ORCID: ORCID

  1. (em.) Politechnika Warszawska, Wydział Administracji i Nauk Społecznych, Pl. Politechniki 1, 00-661 Warszawa

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