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Abstract

The subject of this research is the Memoirs of Khalilollah Khalili with particular reference to the subjectivity and identity of the autobiographical self. The text is divided into nine parts discussing the following issues: (1) Khalilollah Khalili; (2) title; (3) language—its form and style; (4) subject matter; (5) heterogeneity of genres; (6) authenticity and inauthenticity of the memoirs; (7) audience; (8) eventual inspiration; (9) the self; and (10) conclusions.
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Authors and Affiliations

Mateusz M.P. Kłagisz
1
ORCID: ORCID

  1. Jagiellonian University, Kraków
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Abstract

The collection of the Asia and Pacific Museum in Warsaw contains significant objects representing the culture of peoples from many regions of Asia, including Polynesia, Indonesia and even Papua New Guinea. The cultures of Turkish and Mongolian peoples of Central Asia are richly represented among them. Among the objects of these regions and cultures, a collection of felt products significantly distinguishes itself. However, these felts have never been exhibited as a whole collection, nor as a part of a monographic exhibition dedicated to the craft of felt. A significant part of them belongs to the earliest collections from the 1990’s from Afghanistan. It represents many different cultural groups: Turkmen, Kazakhs, Uzbeks, Kyrgyz people and even Tajiks. From the historian’s or art historian’s point of view, it is a very young and new collection. But, taking into account the specifics of felt production and the ways it is used, as well as the fact that felt is rather underestimated by its producers, users, traders, researchers and collectors (in terms of the art market), it should be noted that felt products were rarely bought and collected by esteemed institutions. Apart from museums of Tsarist Russia, and later, their heirs: Soviet and post-Soviet museums in Central Asian countries, along with some western European museums, collections of felt products are rather rare in the world. The felt collection of the Asia and Pacific Museum in Warsaw appears to be a rare example here. The aim of this paper is to present the felt collection of the Asia and Pacific Museum in Warsaw, in terms of its objects, as well as its ethnographic and historical value.

Photographs from the Archive of the Asia and Pacific Museum in Warsaw were taken by Eugeniusz Helbert and Ewa Soszko-Dziwisińska.

Photographs from the author’s archive were taken by Marzena Godzińska.

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Authors and Affiliations

Marzena Godzińska
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Abstract

The contemporary warfare seems to have great influence on the way social sciences position themselves within the socio-political contexts of today. This is being implemented in many cases by the geopolitical context of 9/11 and the fall of former centers of power (end of the Cold War). Cultural anthropology, which shared a similar dilemma in the formative period of its own history provides us today with one of the most controversial examples in this matter. The program initiated by US Army back in 2006 called Human Terrain System started a wide spread debate on ethical issues regarding doing ethnographic fieldwork in a militarized landscape. HTS became thus a field of intellectual and political polemics between certain groups of researches. The academic and political debate on HTS seems to be put in a post-colonial context as a new form of mixing of science and ideology. This paper tackles the problem of emergence of a new type of anthropological understanding of the cultural other and as well its own methods and ethical standards in a situation, where crisis seems to be a permanent state of the discipline and the world its trying to describe.

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Authors and Affiliations

Jarema Drozdowicz

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