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Abstract

The concept of conscience is analyzed here in two different ways: the systematic and the historical-literary. As to the first, systematic perspective, I distinguish (in part 1) three levels of conscience and on every level I identify two opposite categories (conscience that is ‛individual’ versus ‛collective’; ‛emotional’ versus ‛intellectual’; ‛motivating ex ante’ versus ‛evaluating ex post’). In the second, historical-literary perspective, I analyze two literary cases of fictional characters usually thought of as being guided or affected by conscience. The first case is the ancient Greek tragedy and here I offer (in part 2) a comment on the Sophoclean Antigone and the Euripidean Orestes presenting them both as dramas that contain an exemplary formulation of the phenomenon of conscience. Although Antigone and Orestes express their main principles of action in apparently different words, I suggest (in part 3) the two poetical visions of conscience are equally based upon a highly emotional behavior called pathos by the Greek. Thereby I provide a reason, why ancient philosophers created a new concept of conscience intended as an alternative to the poetical vision of human behavior. The new philosophical concept of conscience was based upon an axiological behavior called ethos. I also coin (in part 4) a concept of the ‛community of conscience’ where I distinguish four ‛aspects of solidarity’ in conscience, namely, somebody’s own self, a group of significant persons, a group of the same moral principles, and a sameness of life. In the end I turn (in part 5) to a historical-literary case in Joseph Conrad’s last novel The Rover (1923), which provoked a lively discussion among Polish authors and seems useful as an illustration of several levels of ‛solidarity of conscience’.

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Authors and Affiliations

Łukasz Kowalik
ORCID: ORCID
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Abstract

On the centenary of the birth of St. John Paul II, this article reflects on his legacy for moral theology by examining the enduring relevance of his 1993 Encyclical Veritatis Splendor. Against what some authors call the new morality, this papal document holds up the classical notion of morality as a realm in which we encounter the absolute, to the point that one may even be called upon to lay down one’s life in martyrdom. As a figure of classical morality, the essay presents Antigone, who risked her life to honor her dead brother’s body. A different woman serves as a figure of the new morality: Mrs. Bergmeier, who is praised by some of the proponents of this approach for having committed “sacrificial” adultery in order to be reunited with her family. Examining the differences between these two accounts, the paper recalls the classical distinction between choice and intention. It is argued that the new morality has forgotten about the moment of choice, subsuming it entirely under the intention. In its teaching on the moral object and intrinsically evil acts, Veritatis Splendor defends the basic moral experience that we have a choice and that our choices matter.
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Authors and Affiliations

Stephan Kampowski
1
ORCID: ORCID

  1. Pontifical John Paul II Theological Institute for Marriage and Family Sciences in Rome/Italy

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