Abstract
The article examines the relationship between two types of narration, the autobiographical
and the automythographical, and two concepts of time upon which they depend, the linear and the
cyclical respectively. The analysis is focused on the use of the strategy of recurrence, i.e. having
the same episode from the author’s life recur in various stylistic variants in the course of a single
autobiographical story line. The case in point is Artur Sandauer’s Zapiski z martwego miasta (Notes
from a Dead City), where iteration is used not to illumine the author’s experience but rather to
establish and fi x its irreparable inaccessibility. It seems that the author’s formal games with the
conventions of traditional autobiography are connected with problem of Jewish assimilation in
Polish society.
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