The present contribution considers the Pannonian ‘inner fortifications’ in the context of the development of the infrastructure and urban fabric of selected sites on the Lower Danube. Using Sándor Sopronis’ thesis, which postulates that a multiple defensive system gradually expanded in Pannonia after the time of the Tetrarchy, as a starting point, this study concentrates on the inner fortifications founded in the middle third of the 4th century AD in the hinterland of the Limes (Környe, Tác / Gorsium, Keszthely-Fenékpuszta and Alsóheténypuszta) which, together with towns such as Sopianae, Mursa, Cibalae, Sirmium und Bassianae, constituted an inner line of defence. Whether they functioned in a civil or purely military context is a subject that has been, and still is, much debated. However, they appear to have played a significant role in the storage, distribution, and perhaps production, of the annona. A similar situation can be observed on the Lower Danube, in the provinces of Dacia Ripensis, Moesia Prima and Scythia. Here too a series of castra and towns, which took on similar functions in the course of the 4th century AD, are found some 30 to 50 km from the frontier. This area however saw a further development well into the late 6th century AD: several sites continued to play a central role as the sees of bishoprics in the Early Byzantine Period. The examples of Abritus and Tropaeum Traiani, which both possess elements that are strikingly similar to the Pannonian establishments, are used here to gain insights into the processes at work and to discuss the structural parallels comparatively.

The interview with Michele Salzman, a renowned scholar of Late Antiquity at the University of California, Riverside, focuses on issues of reinterpreting the methods of the historian of anti-quity in the face of new research developments. Here Salzman outlines the importance and possibilities of interdisciplinary studies and the global dimension of Late Antiquity, outlining the possible research horizons of the coming decades. Referring to the case of the decline of the Roman Empire, the conversation deals with the ways in which the interpretation of the past can be understood as a reflection of the current desires or fears of societies in times of crisis. Special attention in the conversation was given to the issues of resilience and the role of women in the period of Late Antiquity.

The purpose of the present article is to provide an analysis of the iconographic sources used in the depiction of Adam and Eve in the 3rd–4th century wall paintings. The scene of the Original Sin initially appeared in wall painting, with the oldest examples dating back to the 3rd century AD. In the following century, images of Adam and Eve were used in both sarcophagus sculpture and crafts. The author of the article compares two different iconographic sources, which together shape the final appearance of Original Sin in the art of the period. A crucial literary source beside the text of Genesis is the apocryphal Lives of Adam and Eve, tracing a different sequence of events related to the story of the Original Sin. On the other hand, the analysis of ancient depictions of Hercules and the goddess Venus reveals an intriguing connection between the representations of the Original Sin and pagan iconography.

The interview provides a record of a conversation held during the XXIII International Congress of Historical Sciences in Poznan, with late antiquity scholar and epigraphic specialist Ignazio Tantillo (professor at the Università di Napoli “L’Orientale”). The conversation revolves around the matter of understanding the peculiarities of Late Antiquity in terms of an autonomous period in history, the temporal and spatial framework of which remains the subject of deliberations to this day. In the article, Ignazio Tantillo discusses the role of new challenges and hopes for scholars of Late Antiquity in the coming decades. The conversation also includes a reflection upon the nature of the historian's involvement in the public sphere, the (paradigm of public history), especially in the context of the “cancel culture” phenomenon.