The Article contains thematic survey, index of Vedic, Sanskrit, Pali, Latin and Greek quotations and bibliography to Jan Gonda’s treatise Remarks on Similes in Sanskrit Literature published in 1949 by Brill, Leiden.

The pattern of collection, which characterizes the classical Indian though in general, may serve as a strongly persuasive literary device. In that role it is often employed in Sanskrit grand narratives, specifically, in Hindu epics, purāṇas, and ornate epic poems (mahākāvya). The study seeks to examine the conceptual grounds, figurative realisations and persuasive ends of this pattern in Jinasena’s (9th century CE) Ādipurāṇa, an important text of the Digambara Jain tradition. Jinasena’s work represents the genre of Jainpurāṇas, which combines and modifies the generic properties of the afore mentioned Sanskrit grand narratives.

The poetics of the Sanskrit ornate epic ( mahākāvya), recognized as the most prestigious genre of Sanskrit kāvya literature, significantly rely on literary devices creating the sense of grandeur. The aim of this study is investigate the notion of atiśaya discussed by early works on Sanskrit literary theory and to identify it as a focal term within a discourse explicating the poetics of grandeur characteristic of mahākāvya genre. The here introduced distinction between atiśaya and hyperbole enables to capture the specificity of literary grandeur in mahākāvya compositions and elucidates the broader matter of ‘excess’ in the Sanskrit literature.

lt seems to be of great importance to collect all possible data which will finally allow us to write the chapter of the history of Sanskrit literature which has never been thoroughly written, namely the one concerning the literary activity of lndian women. lt is high time to notice the presence of Sanskrit literature written by them and to try to understand their place and role in the world of Sanskrit culture dominated by men writers, however not exclusively. Every piece of information we are still able to gather makes the picture more complete and deepens our knowledge. The present article is devoted to Svati Tirunal Ambadevi Tampuratti of Cemprol Kottaram (1890-1928), the authoress from the Kingdom of Travancore, composing both in Sanskrit and her mother tongue, Malayalam.