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Number of results: 10
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Abstract

The present paper is an empirical, corpus-based study of the Polish translations of Shakespeare’s agentive neologisms in -er in the nineteenth and twentieth centuries. The inspiration for the analysis was Kalaga’s book Nomina Agentis in the Language of Shakespearean Drama (2016), where the author selects 39 Shakespeare’s agentive neologisms in - er. The paper surveys qualitative and quantitative tendencies of translation techniques adopted by nineteenth and twentieth-century translators occurring in the corpus placed against the context of general discussion on the translation of neologisms. A brief discussion concerning word formation processes with the suffix - er in the current and Early Modern English systems of word formation precedes the analysis.
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Authors and Affiliations

Anna Drzazga
1

  1. Institute of Linguistics University of Silesia, Katowice, Poland
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Abstract

The purpose of this article is to emphasise the critical potential of poster art concerning William Shakespeare’s dramatic texts. The semiotic and intermedial study of The Tempest by Wojciech Siudmak reveals iconographic and literary comments on the Christian elements embedded in the image. The designer’s work is based on the traditional composition depicting an enthroned figure and this essay juxtaposes it with a range of artworks employing similar iconographical arrangements: Zeus at Olympia by Phidias, images of Maiestas Domini, Christ in Judgement, and the Deisis Group. Further associations include the portraits of Saint Jerome, images of a spiral galaxy or Saturn the planet. The exploration of these motifs allows to de- and reconstruct the detailed characteristic of Prospero, Shakespeare’s protagonist, highlighting his quasi-divine features, but also the nature of the island, as well as the structure of the play referring to the requirements of a good Confession.
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Bibliography

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Butler Alban, Butler’s Lives of the Saints. Concise Edition, ed. Michael Walsh, San Francisco 1759.

Cox John D., Recovering Something Christian about “The Tempest”, “Christianity and Literature”, 2000, vol. 50, No. 1, pp. 31–51.

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Hao Yo, Ren Chi, The Exploration of the “Trinity” Prototype in The Tempest, “Canadian Social Science”, 2013, vol. 9, No. 6, pp. 195–98.

Heckenberg Kerry, The Statue of Zeus at Olympia and the Iconography of Power and Majesty in European, American and Australian Art, [in:] The Statue of Zeus at Olympia: New Approaches, ed. Janette MacWillaim, Sonia Puttock, Tom Stevenson, and Rashna Taraporewalla, 1st ed., Newcastle upon Tyne 2011, pp. 189–208.

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Marx Steven, A Masque of Revelation: “The Tempest” as Apocalypse, [in:] Shakespeare and the Bible, Oxford 2000, pp. 125–146.

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Authors and Affiliations

Sabina Laskowska-Hinz
1

  1. University of Warsaw
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Abstract

During the Brexit campaign, both those who opted for Britain leaving the EU and those who wanted to remain in the structures of the Union referred to William Shakespeare to support the rightness of their preference. The question of how Shakespeare would have voted was raised by numerous journalists, writers and politicians who either tried to present Shakespeare as a national bard promoting British isolationism or a staunch adherent of England being an integral part of the European continent. The paper scrutinizes some aspects of Shakespeare’s plays which indicate the writer’s attitude towards the relations between England and Europe.

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Authors and Affiliations

Paweł Kaptur
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Abstract

The key issue considered by the author is the category of “the present” that appears in the essays by Jan Kott and in the books and fi lms by Grigori Kozintsev. The director’s idea corresponds to Jan Kott’s attitude although startling similarities are accompanied here by signifi cant divergences. Such an analysis enables to identify the basic interpretative tracks that determined Shakespeare’s reading in the totalitarian times.
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Authors and Affiliations

Olga Katafiasz
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Abstract

The late Jerzy Limon was a true Renaissance Man, a scholar who made it known to the world that English players of the early 17th century had founded a permament stage in Gdańsk in the so-called “Fencing School”, modelled on the London “Fortune”. Jerzy Limon had a theatre erected in that very spot in 2014: Gdańsk Shakespeare Theatre, home to many events, especially Shakespeare Festival, which Jerzy Limon launched in the Tricity 1997. Jerzy Limon wrote extensively on Shakespeare and his contemporaries, court masque, contributed significantly to the theory of theatre, especially with his concept of time. He composed fiction, and authored translations (of Shakespeare's and Stoppard's plays). His research and other achievements were widely recognised: among many prestigious honours and prizes that were conferred on him one finds Order of the British Empire and Pragnell Award.
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Authors and Affiliations

Jacek Fabiszak
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Abstract

The article corresponds to the 400th death annniversary of two famous European writers – Cervantes and Shakespeare – celebrated all around the world. The author tells about their lifes and takes into consideration the possiblility of their meeting together in Vailladolid. Besides, the author emphasizes on the qualities that are in common for Shakespeare’s and Cervantes’ works – among others the universality (their readers were both educated as well as simple), the ability to create symbolic figures and the application of colloquial language.

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Authors and Affiliations

Krzysztof Mrowcewicz
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Abstract

During the 1990s, Antonine Maillet signed several Shakespearean translations for the Théâtre du Rideau Vert in Montréal. Her work enters the theoretical debate on the glottopolitical role played by theatre within the framework of canon revision and reformulation in post-colonial contexts. The aim of this study is to provide an analysis of the peritexts of theatrical programmes, usually overlooked in translation criticism, which indeed contribute to renew the repertoire through the application of translation practices to the theatrical text.
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Authors and Affiliations

Simona Munari
1
ORCID: ORCID

  1. Università Degli Studi Di Roma “Tor Vergata”, Italy
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Abstract

The article is dedicated to Ihor Kostetskyi, the organizer and general secretary (1957‑1979) of the Ukrainian Shakespeare Society. The article presents the history of the foundation of the Ukrainian Shakespeare Society. Special attention is paid to the organizational, publishing, and translation activities of Ihor Kostetskyi. The article analyzes archival materials proving Kostetskyi’s active participation in the Ukrainian Shakespeare Society. The article describes the main directions of the society’s activities and notes the need for further study into the history of the Ukrainian Shakespeare Society.
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Authors and Affiliations

Ludmiła Mnich
1
ORCID: ORCID

  1. Siedlce, Uniwersytet w Siedlcach
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Abstract

The article talks about three visits paid in 1609, 1611 and 1612 by prince Janusz Radziwiłł and Daniel Naborowski – one of the most eminent poets of the Polish Baroque – at the court of king James I in London. These visits were related to the wedding plans – Władysław IV Vasa, son of king Sigismund III Vasa, was supposed to marry English princess Elizabeth Stuart. In her honour Naborowski wrote a famous poem entitled "Na oczy królewny angielskiej" ("For English Princess’ Eyes"). During the second visit at the English court, 1st November 1611, Radziwiłł and Naborowski were probably watching the staging of Shakespeare’s "The Tempest" in the Banqueting House in the Palace of Whitehall. The author of the article points out a possible source of Shakespeare’s play which was a text written by a Polish humanist Marcin Kromer, widely known in Europe of those times thanks to its latin translation. Kromer’s text described a story of young prince Sigismund (the future king Sigismund III Vasa) who was born on an island in MalDrm Lake where Eric XIV of Sweden imprisoned his parents: Eric’s brother John III of Sweden and his wife Catherine Jagiellon. A Polish poet Daniel Naborowski might have seen and possibly met William Shakespeare.

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Authors and Affiliations

Krzysztof Mrowcewicz
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Abstract

The article opens with a brief history of a genre of literary works that blend both tragic and comic elements, the latter of which seem to have been increasingly more prominent in European culture in general. This article examines various functions of the tragic and comic combination in Cervantes’ Don Quixote, some scenes from Shakespeare’s King Lear, and two modern narrative fictions, where the main character is simultaneously heroic and comic, Graham Greene’s Monsignor Quixote and Sławomir Mrożek’s short story The Last Hussar.
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Authors and Affiliations

Katarzyna Mroczkowska-Brand
1
ORCID: ORCID

  1. Wydział Polonistyki UJ

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