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Abstract

Polish musical criticism of 19th century is a fascinating research field for musicologists, music theorists, as well as literary scholars. They can find there a wealth of texts whose expressive style tries to emulate the homage paid to the great virtuosos of the time in poetry. While Frederick Chopin and the violinist Karol Lipiński held sway over captive audiences, there was yet another musician whose name featured prominently in reviews and poems. It was Stanisław Szczepanowski, the great guitarist, whose concerts gave rise to numerous reviews representing the romantic school of musical criticism. This paper examines some of those reviews as well as two poems dedicated to Szczepanowski, one by Teofil Lenartowicz and the other by Władysław Syrokomla.
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Authors and Affiliations

Magdalena Bartnikowska-Biernat
1
ORCID: ORCID

  1. dr, doktorat obroniony na Wydziale Polonistyki UJ
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Abstract

After moving to Italy in 1856, Teofil Lenartowicz, inspired by the great Italian art and supported by the best Florentine artists of the time Giovanni Dupré and Enrico Pazzi, began studying sculpture. Lenartowicz’s sculptures were always connected with literature: his work shows howone influenced the other. It is no accident that his style as a sculptor has been called ‘poetic’ by the critics. The Polish immigrant was fascinated by the Italian Renaissance, and especially by the art of Lorenzo Ghiberti. At the same time, he never forgot about Polish folklore, which played a significant role in his artistic vision. One of the most impressive examples of this intersection of influences is the bas-relief The Holy Workers, complemented by a poem bearing the same name.

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Authors and Affiliations

Magdalena Bartnikowska-Biernat
ORCID: ORCID

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