The present contribution pays tribute to the late Professor Janusz Symonides by examining the position of United Nations Security Council towards international terrorism. The analysis concentrates on how the phenomenon is perceived by the main political organ of the United Nations, and offers some cursory remarks on its reactions (both actual and potential).

In technology of coal fines beneficiation in Poland mainly fines jigging processes are in use. In case of steam coal fines beneficiation it is till 80% of the whole amount of produced assortments, while in case of coking coal fines it is 100%. The necessary condition of not homogenous feed separation which is directed to beneficiation process in pulsating water stream is a sufficient liberation of particles. The stratification of particles in working bed causes that particles of certain size, density and shape gather in individual layers in working bed of jig. The introduction of sufficient amount of additional water determines appropriate liberation of particles group, which generates partition into concentrate and tailings. The paper presents the results of sampling of industrial jig used for the beneficiation of coal fines by three various settings of additional amount of water under sieve which is directed to jigging. These amounts were equal to 35, 50 and 70 [m3/h]. Collected samples of separation products were then sieved into narrow particle size fractions and divided into density fractions. In such narrow size-density fractions the coordinates of partition curves were calculated for tailings of hard coal fines, which were subsequently approximated by means of Weibull distribution function. The separation precision measured by separation density, probable error and imperfection were determined on the basis of obtained model separation curves. The evaluation of separation effects was performed for a wide particle size fraction: feed directed to jigging process and narrow particle size fractions. The analysis of separation results in size-density fractions allowed to determine the influence of particle size change on the value of probable error. The results of separation precision in size-density fractions were compared with effects of separation of wide particle fraction, i.e. feed directed to jigging process.

The article portrays the motif of dream and its symbolic meanings in Vladimir Nabokov’s short story Terror, what has not been the subject of detailed research so far. It has been determined that the experience of dream in the analysed story denotes the protagonist’s attempt to escape from the surrounding world and a shift into the sphere of the unconscious (mysterious anaesthesia). Thus the topos of dream/dream fantasy in Terror implies the existence of a hero in a particular kind of chronotope, and is connected with the semantics of the passage – from demonic chaos and metaphysical terror to restoration of cosmic (microcosmic) order and to “becoming oneself” (Ricoeur). Moreover, dream in Nabokov’s text is intrinsically linked with the problem of compatibility/ incompatibility of the two worlds: the real and the oneiric one, existing in reality and reflected in a mirror, and also with the motif of a doppelganger which bears references to Dostoyevsky’s writings. Also, an oneiric image of a laughing woman is analysed in detail in the article. It has been proven that laugter (giggle) of the story’s heroine unveils ambivalent and demonic dimension of femininity and is a reference to Pushkin’s The Queen of Spades.

The contemporary warfare seems to have great influence on the way social sciences position themselves within the socio-political contexts of today. This is being implemented in many cases by the geopolitical context of 9/11 and the fall of former centers of power (end of the Cold War). Cultural anthropology, which shared a similar dilemma in the formative period of its own history provides us today with one of the most controversial examples in this matter. The program initiated by US Army back in 2006 called Human Terrain System started a wide spread debate on ethical issues regarding doing ethnographic fieldwork in a militarized landscape. HTS became thus a field of intellectual and political polemics between certain groups of researches. The academic and political debate on HTS seems to be put in a post-colonial context as a new form of mixing of science and ideology. This paper tackles the problem of emergence of a new type of anthropological understanding of the cultural other and as well its own methods and ethical standards in a situation, where crisis seems to be a permanent state of the discipline and the world its trying to describe.

The article examines the relationship between Russians and Stalinism through the Polish lens. The analysis centers around the issues of remembrance and oblivion, two thought processes that are merely superficially contradictory. The author is interested in problems of “power over memory” and “erasing memory” characteristic of non-democratic orders. Within the scope of interest, there is also the cultivation of the heroic myth associated with World War II, including the attitude towards Stalin-the-Victor. Another point of focus is the Russian society’s remembrance/forgetfulness regarding Stalin’s Great Terror and the atrocity of Gulags, as well as its collective reluctance towards founding a national community on the remembrance of Stalinist repressions. The author refers to many authors, among which there are Jacek Hugo-Bader, Mariusz Wilk and Wacław Radziwinowicz.

Asma Jahangir, the prominent Pakistani lawyer and human rights activist, who had received several awards for her courageous work, passed away on February 11, 2018. Her untimely death at the age of 66 was mourned by a wide public, not only in Pakistan. The newspaper obituaries particularly highlighted her accomplishments and campaigns on behalf of women, children, religious minorities, poor and disenfranchised communities. The deceased “voice of the voiceless” is probably best known for her advocacy on the rights of the most vulnerable and disempowered sections of society and her uncompromising commitment to democratic principles. However, another aspect of Asma Jahangir’s legacy, her thoughts and insights on political power mechanisms in Pakistan and beyond, has so far been rather neglected. With her long-term experience as a lawyer, an activist, and a UN Special Rapporteur, Asma Jahangir often offered useful reflections on the main causes of human rights abuses in Pakistan and the neighbouring countries. Among other things, she pointed to the detrimental effects of the politics of sectarianization and securitization, and also stressed the ongoing aspiration of a great part of the population in the global South to live a dignified life. On the basis of selected publications, reports, and interviews, this paper will provide a number of Asma Jahangir’s explanations for national, regional, and international shortcomings and structural problems (fragile democracies, undermined rule of law; the influence of militant non-state actors; regional/international interconnections and constraints, etc.) which remain relevant under the current conditions.

This article attempts to formulate a new interpretation of the mysterious messianic character marked "Forty and Four" from the Vision of Priest Piotr in Adam Mickiewicz's poetic drama Dziady ( Forefathers' Eve), Part III. After a review of earlier readings of this crux and its symbolism, the author of the article presents his own proposal, which contextualizes the enigmatic number in three historical frameworks. The first of them is ancient history, and, more specifically, 'Forty four' is seen as a reference to the Ides of March in 44 B.C., the date on which Julius Caesar was assassinated by a group of conspirators led by Brutus. The other two relevant contexts are the Reign of Terror during the French Revolution, and the high tides of modern history culminating in tyrannicide. In effect, the 'Forty four' passage is seen as an affirmation or even a sacralization of tyrannicide, symbolized by not only by inexplicit references to Brutus and the Israelite heroine Judith. It is a theme which reverberates not only in Dziady but also throughout Adam Mickiewicz's work.