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Abstract

The article discusses the image of Volhynian Polesye as presented in Alexander Kuprin’s novella Olesya. Kuprin’s piece combines numerous elements characteristic of a Russian Volhynia text. As regards nature, this is primarily represented by the theme of wildlife. The motif of an untouched, virginal wilderness along with solitude also appears. As for the presentation of customs and morals, the themes of secluded rural life as well as the ignorance and backwardness of the local population are conspicuous. It is here that the binary oppositions typical of a Volhynia text are expressively conveyed: these include ours vs. the others, and the human vs. the devilish. In this work, mythology also features prominently. The image of Polesie shown in this text is to a large extent that of a mythical expanse where primeval forces lurk, one emanating an ambience of mystery. It is this ambience that inspires the narrator to ponder the relationship between man and nature, and to encourage existential reflection. In conclusion, it should be said that Kuprin’s novella made a significant contribution to the formation of the Russian Volhynia text at the turn of the 20th century.

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Authors and Affiliations

Joanna Nowakowska-Ozdoba
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Abstract

The paper gives coverage to peculiarities of water elements application in landscape compositions created in 19th century by gardener of Dionizy Mikler (Denis McClair) at Volhynia. Being an ambassador of English landscape garden style in this region D. Mikler seamlessly integrated picturesque natural and artificial water components in the garden structure. There are considered the role and ways of interaction of water elements with the landscape compositions by giving examples of Polish landowner´s residences in Gorodok, Mizoch, Mlyniv and Shpaniv.
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Authors and Affiliations

Petro Rychkov
Nataliya Lushnikova

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