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Number of results: 4
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Abstract

Stanisław Wyspiański (1869–1907) was the Polish dramatist, the poet, besides the illustrator and the painter, one of the best known artist of the Young Poland movement. His journey to Europe (particulary to Paris) became very important experience in his life. He discovered the value of loneliness, he had to be alone – as an artist and as a man. He was called “a hermit from Cracow” and for this reason his genius was not always appreciated. However, at the end of life, Wyspiański undergoes a significant transformation: he feels a strong connection to community, as a member of the nation and society, as well as a host.

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Authors and Affiliations

Jan Tomkowski
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Abstract

The aim of this article is to show how Kazimierz Przerwa-Tetmajer depicts the creative process in his autothematic poems. The readings draw on the interpretative strategies of the theory of affect (primarily the work Ernst van Alphen, Teresa Brennan and Brian Massumi) and somatic criticism (e.g. Anna Łebkowska’s somatopoetics, Marta Smo-lińska’s ‘augmented haptics’). In the great majority of Przerwa-Tetmajer’s poems dealing with the process of poetic creation, we are told that it is triggered by an explosion of the affects or an overpowering divine inspiration, bordering on madness. The article ana-lyzes in turn the affective nature of the creative process and the affective perception of a work of art; the image of the artist as craftsman; and, finally, the image of the phantas-matic woman, a product of the act of creation.
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Authors and Affiliations

Lidia Kamińska
1
ORCID: ORCID

  1. Szkoła Doktorska Nauk Humanistycznych, Uniwersytet Jagielloński
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Abstract

On the basis of a close reading of the poetry of Kazimierz Lewandowski ( Lais and the poems in Szella) this article presents a revised view of the androgyne in the perception of the Young Poland modernism. The article examines the symbolism and the spaces with which the androgyne is associated, the androgyne’s destructive influence on men and demonic, Mephistophelian personality traits.
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Bibliography

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● Podraza-Kwiatkowska M., Młodopolska femina. Garść uwag, „Teksty Drugie” 1993, nr 4/5/ 6, s. 36–53.
● Podraza-Kwiatkowska M., Symbolizm i symbolika w poezji Młodej Polski, Kraków 2001.
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● Ritz G., Nowy świat i dawny wizerunek kobiety. Polska awangarda po 1918 roku a kulturowe aspekty płci, tłum. M. Łukasiewicz, „Kresy” 1997, nr 31–32, s. 11–26.
● Ritz, G., Maria Komornicka: zagrożone autorstwo a kategoria „gender”, tłum. M. Łukasie-wicz, „Pamiętnik Literacki” 2001, z. 1, s. 33-51.
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Authors and Affiliations

Bartosz Ejzak
1
ORCID: ORCID

  1. Zakład Literatury Pozytywizmu i Młodej Polski, Uniwersytet Łódzki
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Abstract

The author presents a series of publications by Franciszek Ziejka related to his stays in France and Portugal in 1970–1973 (Aix-en-Provence), 1979–1980 (Lisbon) and 1984–1988 (Paris). At that time, Ziejka disseminated knowledge about the language, Polish literature and culture in those universities, and at the same time, in libraries and especially archives, he undertook research on the culture of these countries and the presence of Polish literature and culture. The result was groundbreaking studies on the relationships and contacts of Polish artists and writers with representatives of Western creative circles. In these studies, Ziejka expanded our traditional knowledge of the presence of Polish culture in the West and discovered new traces of it, including those sometimes associated with such famous artists as Chopin, Joseph Conrad or Zygmunt Krasiński.
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Authors and Affiliations

Jan Okoń
1
ORCID: ORCID

  1. Kraków

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