In analyzing selected aspects of the debate over offending religious feelings, the author discusses Saby Mahmood’s argument that religiousness in public discourses of the Western world is basically perceived as a speculative phenomenon concerning the sphere of abstract beliefs. It is assumed therefore that the harm that can be produced by the publication of a blasphemous illustration is lesser and less palpable than in the case of hate speech directed toward a race or sexual orientation. The author’s analysis, which is undertaken from a Durkheim perspective, shows that, for example, the caricaturized presentation of a religious symbol constitutes not so much an act of undermining the abstract image as—in the affective perspective of the religious—an act violating the sense of ontological security of a given moral community which that symbol represents. At the same time, the Durkheim perspective facilitates an understanding of why religious symbolic resources can be ambivalently used in processes of legitimating social actions, beginning with constructive forms of civil public religions to extreme fundamentalist movements making use of violence and the discourses of political extremism.
In the second half of the 19th century in the European culture appears an increased interest in evil. This phenomenon is widely spread particularly in France and England. In his famous volume of poems Les Fleurs du Mal Charles Baudelaire publishes The Litanies for Satan where the Devil replaces God as the addressee of a blasphemous prayer. Joris-Karl Huysmans, an author of the novel LB-bas, describes a black mess and a litany addressed to Satan who seems to be closer to sinful people than perfectly indifferent God. A poet from the Huysmans’ artictic circle, Édouard Dubus, devotes his litany to a „Lady of grace and immorality” – a blasphemous double of Mary, mother of Jesus. An English poet Charles Algernon Swinburne writes Dolores, a poem addressed to „Our Lady of Pain” and recognised as the apogee of the satanic litany. In all these cases the choice of a litany as a literary genre results in acceptance of a vision of the world broaden with spirituality. In spite of their seemingly blasphemous plots, all these texts express a deep hunger for the sacred – the hunger that could not be satisfied with official religion.