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“Un libro per bambini dai 10 ai... 100 anni”. Riflessioni sulla prima edizione polacca de Il romanzo di Cipollino di Gianni Rodari

Ewa Nicewicz
Kwartalnik Neofilologiczny | 2021 | No 2 | 282-299 | DOI: 10.24425/kn.2021.138035
Keywords Rodari translation children’s literature Cipollino Zofia Ernst
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Abstract

In communist Poland in the 1950s, “comrade” Gianni Rodari was one of the most frequently translated authors: his works were published in the press and in book form. The aim of this paper is to investigate the first Polish edition of Tile of Cipollino. The novel was translated into Polish by Zofia Ernst in 1954, based on its first Italian edition (1951), significantly different from the next version – in 1957 the novel was modified by the author himself and is now known as Adventures of Cipollino. The paper focuses on the translation challenges and strategies employed by the translator and on issues related to presumed censorship.
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Authors and Affiliations

Ewa Nicewicz
1
ORCID: ORCID
  1. Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie, Polska

“La letteratura per l’infanzia è cosa seria”: di come a Berlino Ciondolino si trasforma in Codino

Bianca Sulpasso
Kwartalnik Neofilologiczny | 2021 | No 2 | 265-281 | DOI: 10.24425/kn.2021.138034
Keywords children’s literature translation studies Nina Petrovskaya Luigi Bertelli Russians in Berlin
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Abstract

Children’s literature was the focus of much attention in post‑revolutionary Russia: new magazines, publishing houses, bulletins were founded which sparked debate both around the role of detskaya literatura and the reform of the education system. Also amongst Russian émigrés there was a felt need to provide “new books for younger readers” and intense discussions took place. Translated books played an important role within this “new canon” of children’s literature. This article focuses on the work of the writer Nina Petrovskaya, as a cultural mediator and translator of Italian children’s literature into Russian, investigating, in particular, her version of Luigi Bertelli’s Ciondolino.
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Authors and Affiliations

Bianca Sulpasso
1
ORCID: ORCID
  1. Università Degli Studi Di Roma “Tor Vergata”, Italy

The last fifteen months: juvenile magazines Przyjaciel Młodzieży and Przyjaciel Dzieci during World War I (August 1914 – October 1915)

Krzysztof Woźniakowski
Rocznik Historii Prasy Polskiej | 2021 | t. 24 | No 2 | 49-74 | DOI: 10.24425/rhpp.2021.137323
Keywords Polish juvenile periodicals in the early 20th century Polish children’s literature in the early 20th century Warsaw press during World War I
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Abstract

In 1914 the Russian authorities in Warsaw granted Przyjaciel Młodzieży and Przyjaciel Dzieci, two weeklies addressed to young people and children respectively, a permission to continue publication in wartime. While each magazine tried to hold on to its established format and content, room had to made for some topical items on politics and the war, carefully adapted to the perceptions of the juvenile audience. It not clear what happened to the two children’s magazines after the Russians were driven out of Warsaw by German troops in August 1915. All we can sure of is that their last printed editions were dated 23 October 1915.
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Authors and Affiliations

Krzysztof Woźniakowski
1
ORCID: ORCID
  1. Uniwersytet Pedagogiczny im. KEN, ul. Podchorążych 2, PL 30-084 Kraków (Prof. em.)

A toy as a medium of Holocaust remembrance: The case of “Otto: The Autobiography of a Teddy Bear” by Tomi Ungerer

Katarzyna Slany
Ruch Literacki | 2018 | No 4 (349) | 441-456 | DOI: 10.24425/122716
Keywords Children’s literature 20th-century German literature Holocaust remembrance picture book post-humanist narrative non-human (auto)biography Jean-Thomas “Tomi” Ungerer (b. 1931)
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Abstract

In post-humanist studies of identity, otherness and exclusion – conducted within the de-anthropocentrism of the humanities – questions arise about the condition of non-human subjects (animals, plants, things) that gain the cultural and social status of Others. As non-human entities, they have a socializing value, cement interpersonal relations, attract people to certain places. They have performative, integrative and co-creating abilities. The posthumanistic “turn towards things” opens the room for the construction of their social (auto) biographies, a development which already has been taking place in contemporary children’s literature. The problem of the creation of (auto)biographies of non-human subjects is presented in this article on the example of the picture book Otto: The Autobiography of a Teddy Bear by Tomi Ungerer. The artist gives the non-anthropomorphized plush toy the status of a non-human subject and an active actor of social life as a medium of unoffi cial memory of the Holocaust. Ungerer consciously and innovatively uses the key determinants of the posthuman discourse, including intimate childhood experiences.

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Authors and Affiliations

Katarzyna Slany

Wanda and Maryla – mother and daughter: Two stories of artistic talent

Krystyna Zabawa
Ruch Literacki | 2021 | No 2 (365) | 175-194 | DOI: 10.24425/rl.2021.137305
Keywords Polish literature of the turn of the 19th century women's literature Young Poland's poetry and art memoirs translations from the German children’s literature mother and daughter Wanda Młodnicka (1850–1923) Maryla Wolska (1873–1930)
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Abstract

This article portrays a pair of artistically gifted women, Wanda Młodnicka née Monné (1850–1923) and her daughter Maryla Wolska (1873–1930), each with a diverse range of interests, including painting, music, and, first and foremost, literature. Their achieve-ment (both original works and translations) achievement has been largely forgotten. This article attempts to find out what inspired the two women, to identify those points of their artistic endeavor they had in common and those that determined their individual profiles, while paying special attention to the mother-daughter relationship.
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Bibliography

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Authors and Affiliations

Krystyna Zabawa
1
ORCID: ORCID
  1. Akademia Ignatianum, Kraków

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