Abstract
The main paradox of the book by Oleg Sentsov, the famous Ukrainian filmmaker, is that despite its distinctly documentary basis the text is endowed with obvious qualities of fictionalization. In this regard, the purpose of the article is to identify the fictional firsts in Oleg Sentsov’s book “The chronicle of one hunger strike”, based on cultural, historical, biographical, and hermeneutical methods, and also to analyze these firsts in terms of how they shape the idea and artistic content of this work. As a result, the conclusions were formulated according to which the book under consideration uses various forms of fictionalization of comments, reflections, dreams, memories, and even physiological processes of the human body to fictionalize the diary space through which a real person acquires an artistic dimension, which paradoxically does not undermine their authenticity, but, on the contrary, gives the real person fictional conviction and powerful emotional power and depth.
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