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Abstract

Commemorative sites, as special works of architecture, have their symbolic form and metaphor. The history of the project Everything to Eternity by Kristinn E. Hrafnsson and Studio Granda is a reflection on the process of designing a monument to a girl who died tragically. It presents the process by which a private commission led to a place that combines Iceland’s heritage with contemporaneity, giving a new social dimension to the resulting space. The monument is an honour, but is also a guiding sign to and background for the commemorative site on the Álftanes Peninsula in Iceland. The artistic, architectural, urban and ecological significance of the project is an indicator to designers as to how to interpret place-based context when creating a new form.
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Authors and Affiliations

Katarzyna Banasik-Petri
1
ORCID: ORCID

  1. Andrzej Frycz Modrzewski Krakow University, Faculty of Architecture and Fine Arts
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Abstract

What major reflection does Dostoevsky’s work impel, when it refrains from pondering great metaphysical ideas? It invites us to consider the mystery of the human being and the impossibility of providing an ultimate explanation of this enigma. It also shows us that delving into the human psyche and judging it is an ambivalent and risky act against which human self defends itself. In this consistent evasion of cognitive and interpretive closure, it finds a mighty ally in the artistic language of the Russian novelist. Dostoevsky’s psychological and philosophical idea of the individual finds its distinct reflection in the poetics of his works. This paper explores and explains this relation by way of an analysis of Dostoevsky’s lesser known story – The Eternal Husband.
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Authors and Affiliations

Michał Kruszelnicki
1
ORCID: ORCID

  1. Dolnośląska Szkoła Wyższa, Wydział Studiów Stosowanych, ul. Strzegomska 55, 53‑611 Wrocław
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Abstract

The author puts forward a hypothesis related to the interpretation of the thought of Joseph Ratzinger – Benedict XVI on the interrelation of time and eternity. Different religions offer different ways of departing temporality - the way of being within the confines of time - towards some extratemporal existence, commonly referred to as eternity or immortality. This perspective evokes a fundamental question: if time wants to reach beyond itself towards eternity, is it that eternity - in its turn - stays in a kind of interrelation to time, or is it a kind of negative atemporality? In its view of the matter, Christianity makes a clear statement that God has power over time, which implies that God participates in the temporal reality. This participation manifests itself overtly through the Incarnation of the Son of God. Consequently, this participation shows that man takes part in the eternity of God. In this sense, a Christian reaches eternity through his/her existence in the Person of the Resurrected Jesus. This ability to eternally remain in Jesus rests on the immortal element of the human being - that is his/her spiritual soul. The soul opens a path towards salvation and the relational eternity, that is a relationship of a Christian person with the Son of God and through Him with God as Trinitary Love. This is how Christianity – while respecting the linear nature of time – promotes a positive cyclical (yet not a reiterative) concept of time, which manifests itself in the exitus - reditus relationship. Exitus is an autonomous act of God’s creation, while reditus - is a human self-sacrifice as exemplified by the Son of God. Jesus’ self-sacrifice to God the Father is a model of how time can be projected onto a new way of existence: eternity. Therefore, Christ brings time to its fullness. His Event marks the beginning of eternity for the faithful

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Authors and Affiliations

Ks. Krzysztof Góźdź
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Abstract

The article is an attempt to outline the theoretical and methodological reflection on public history in the context of some conceptual models and concrete examples of case studies. Considering discursive situations, suppositions, suggestions and interpellations on the enlightenment postulate with regard to public history (including the issues: magistra vitae, emancipatory project, affirmative history, emotive revolution, critical discourse in the public space, modus art based research) I deal with the issues: what is actually the content of public history: history or memory? Does the enlightenment postulate with regard to public history turn memory into history? Are we dealing with some project concocted by the intelligentsia and scientific elite? What are the current trends in the implementation of critical discourse in public history?

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Authors and Affiliations

Ewa Solska
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Abstract

The starting point of the article is V. Ivanov’s epistolary statement and an expression included in it: “me, semper idem” as important for reflections on the question of “person and time.” Ivanov’s expression, considered within its context, was analysed taking into account other texts by the same poet (the poem Fio, ergo non sum, as well as others from the Prozrachnost’ cycle, author’s commentaries etc.), and S. Frank’s philosophical reflection and his idea of a person as a unity which encompasses continuing in time (“vremiaoblemlushcheje jedinstvo licznosti”). In analogous interpretation (lecture analogique) of both expressions included in the title of the article, two Paul Ricoeur’s conceptual categories were used: the idem identity and the ipse identity, as well as the thinker’s notion of their dialectic relationship. Referring to the European model of thinking about time (St. Augustine), taking into account its presence in Frank and Nikolai Berdyaev, author of the article considers two types of conceptualisations of the category of becoming, in its relation to the category of Being and the problem of transcending time in the reflections of the above- mentioned thinkers and in V. Ivanov’s poetry. Therefore, the article discusses situations in which a human as a person transcends the order of “horizontal” time, and in their existential experience enters the vertical dimension of Eternity (“moment-Eternity”). In relation to that, what turned out to be useful was another notional analogy: the concept of the “poetic moment” and “metaphysical moment” in Gaston Bachelard.

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Authors and Affiliations

Maria Cymborska-Leboda

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