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Abstract

Kilka przykładów metafor akwatycznych, które odnoszą się do najważniejszych pojęć filozoficznych

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Authors and Affiliations

Daniel Roland Sobota
ORCID: ORCID
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Abstract

The article contains reflections on the role of reflexivity in contemporary education. The most important is to emphasize the importance of a pragmatic reflexivity in constructing the cultural identity of a young man. The majority of the text consists of references to the thoughts of Hans Georg Gadamer in the context of pragmatics of reflexivity. In conclusion, the author proposes a pedagogical definition of reflexivity.

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Mirosław Sobecki
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Abstract

I investigate the idea of science elaborated by Edmund Husserl in his later works, first of all, in Cartesian Meditations and the Crisis of European Sciences. The first part of this investigation has been published in the paper: Edmunda Husserla idea nauki i projekt fenomenologii jako nauki ścisłej [Edmund Husserl’s Idea of Science and the Project of Phenomenology as a Strict Science], Filozofia i nauka. Studia filozoficzne i interdyscyplinarne, 2019, 7 (2), pp. 247–264. Husserl claims that the transformation of philosophy into a strict science, which is the basic aim of his intellectual enterprise, is connected with a reform of all the positive sciences. Positive science is closely related to philosophy—both they have a common grounding and ideal. The paper also compares Husserl’s project of philosophy as a fundamental science with the today trends in philosophy and the plurality of its schools, attitudes, fields of problems and methods.

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Małgorzata Czarnocka
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Abstract

The purpose of the article is to ask the question of the meaning of art in Emmanuel Levinas’ philosophy, taking into account not only the well-known text Reality and Its Shadow, but also texts from the later period of his work. The first part of the article is an interpretation of Reality and Its Shadow in the context of contemporary phenomenological concepts. The second, on the other hand, will be an attempt to show the change in Levinas’ approach to the visual arts based on his statements about Jean-Michel Atlan’s paintings and Sascha Sosno’s sculptures. The third, concluding section, will in turn attempt to describe works of contemporary art that would perhaps elude Levinas’ strict evaluation of art, highlighting the tension between the dimension of ontology and ethics, without falling into banal moralizing and allowing harm to be revealed without, however, leading the viewer to ethical paralysis.
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Authors and Affiliations

Monika Murawska
1
ORCID: ORCID

  1. Akademia Sztuk Pięknych w Warszawie
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Abstract

I investigate Husserl’s long-term research on revealing/constructing a proper idea of science. For Husserl this idea was of tremendous importance: it had to be the basis of forming a (the) proper philosophy (phenomenology), that is, a philosophy which was to be an exact science, a new and higher form of science. According to Husserl, the idea of science is not a free project of individual researchers, scientific communities, but the very essence of science—changeless, universal, nontransformable, non-culturally and socially loaded, ahistorical, and non-relativized to scientific praxis. It was attempt to determine a new status of philosophy which led Husserl’s to the consideration of a universal idea of science.

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Authors and Affiliations

Małgorzata Czarnocka
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Abstract

This article addresses the issue of the interpretation of proper names in poetry. The state of research on the functions of proper names in literature is well described, but it is possible to note the lack of a fixed interpretation strategy in poetry which means that, despite little interest in poetry, its researchers often try to propose their own methods of analysis. The authors of the article, who tackle onyms in the poetry of Bruno Jasieński, present their own methodological approach to the matter, based on B. Waldenfels’ concept of the “phenomenology of the alien”.

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Authors and Affiliations

Magdalena Graf
Paweł Graf
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Abstract

This biographical sketch is based on materials from the Roman Ingarden Archive, as yet unrecognized in philosophical literature. These materials are preserved in Krakow by Krzysztof Ingarden, the grandson of the philosopher. On their basis, a two‑volume biography was prepared by R. Kuliniak and M. Pandura I am a philosopher of the world (Κόσμου φιλόσοφός εἰμι) – Roman Witold Ingarden (1893–1970), Parts I and II, Wydawnictwo Marek Derewiecki, Kęty 2019–2020). This presentation is an abridged version of those volumes.
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Authors and Affiliations

Radosław Kuliniak
1
ORCID: ORCID
Mariusz Pandura
2
ORCID: ORCID

  1. Uniwersytet Wrocławski, Instytut Filozofii, ul. Koszarowa 3, 51-149 Wrocław
  2. Uniwersytet Wrocławski, Biblioteka Wydziału Nauk Społecznych, ul. Koszarowa 3, 51-149 Wrocław
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Abstract

In The Work of Music and the Problem of Its Identity by Roman Ingarden we are presented with a philosophical theory of the structure of the musical work. The author includes melody, rhythm and harmony among the primary elements of the musical work while dynamics, tempo and colouration (sonoristics) are classified as its secondary elements. The elements designated by the score constitute a schematic prescription for creating a particular work. Still, the scheme also includes numerous gaps and indeterminacies which can be filled in only through performance which makes the work an individualized concretum. However, it is puzzling why the list of the elements of the musical work does not include articulation. In this article I claim that the absence of articulation in the theory of the structure of the musical work indicates its omnipresence, thus the broader we understand the term articulation, the better it penetrates into the remaining elements of the musical work, preserving its distinctiveness at the same time.
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Authors and Affiliations

Andrzej Krawiec
1
ORCID: ORCID

  1. Uniwersytet Jagielloński, Instytut Filozofii, ul. Grodzka 52, 33-332 Kraków
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Abstract

The article argues that, paradoxically, Roman Ingarden is unable to demonstrate that the world „exists” in any essential sense of the word „existence”, since he assumes (in line with Edmund Husserl) an ego-centered, living-through model of pure consciousness, and thus, again following Husserl, he postulates as the starting point of his considerations the existence of two separate realms of individual objects: the realm of pure consciousness (understood in a Husserlian manner as a stream of experiences) and the realm of objective world. Consciousness is grasped as a set of acts, not contents. However, consciousness (as pointed out in neo-Kantianism by Paul Natorp and in phenomenology by Jean-Paul Sartre) is something primary, in which only later on the world and the real existing subject can be constituted as such; hence consciousness cannot be equated with any subject whatsoever. Consciousness does not constitute anything but is a position from which we can see the constitution itself. Thus conceptualized consciousness does not contain the lived experience of the world but stands closely to the being itself. The fact that we have the living-through experience of the world is only secondarily conjectured by the subject already constituted in the primary consciousness. The failure of Ingarden’s project is caused by his Cartesian assumption regarding the primacy of the empirical conscious subject (a view shared with Husserl), his co-opting of the British- -empiricist model of epistemology, namely the distinction between the ‘sense data’ and ‘intentional grasping of the sensuous data’, in conjunction with something what Hermann Schmitz has called ‘metaphysics of the solid object’. In the aftermath of these considerations those aspects in Ingarden’s philosophy which truly lead toward realism are revealed.
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Authors and Affiliations

Andrzej Lisak
1
ORCID: ORCID

  1. Politechnika Gdańska, Wydział Zarządzania i Ekonomii, ul. G. Narutowicza11–12, 80-233 Gdańsk
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Abstract

The aim of this article is to offer an in‑depth analysis of the quality of the basic act of phenomenological cognition. By juxtaposing arguments by Jan Patočka and Paul Ricoeur, the author concludes that neither negation (as Patočka claims) nor affirmation (as Ricoeur believes) but only fundamental questioning contributes to the development of fundamental phenomenological experience. From this perspective, the ‘thing of thinking’ is neither non‑Being (nothingness), nor Being, but the attitude of inquisitiveness. Philosophical acts of affirmation and negation, the correlates of which are Being and non‑Being, are responses to the basic experience of questioning. Persistence in the belief that questions have a leading role in philosophy strengthens the position of written communication as the proper medium of expression in philosophical inquiry.
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Authors and Affiliations

Daniel Roland Sobota
1
ORCID: ORCID

  1. Polska Akademia Nauk, Instytut Filozofii i Socjologii, ul. Nowy Świat 72, 00-330 Warszawa
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Abstract

The aim of this paper is to examine critically a common tendency which underlies the reflection of the Polish author Witold Gombrowicz and the German philosopher Martin Heidegger. In the core of this common tendency lies the reflection on the world as such. Because of the relational structure which reveals itself to man when he is placed in its center ( resp. Dasein), both Gombrowicz and Heidegger view the world as a necessary space which enables an understanding of ourselves and of everything that surrounds us. If the possibility of self‑understanding can be realized only on the basis of that world, the question about the possibility of finding ourselves in this world is essential. The world determines us, forms us and forces us to accept the resulting consequences. However, neither Gombrowicz nor Heidegger intended to reject or to destroy this form of self‑understanding. They intimated – each in his own manner – a modified way of relating to the world and to one’s own self.
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Bibliography

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Błoński J. (1994), „Dziennik”, czyli Gombrowicz dobrze utemperowany, w: tenże, Forma, śmiech i rzeczy ostateczne. Studia o Gombrowiczu, Kraków: Znak, s. 141– 178.

Buczyńska‑Garewicz H. (2011), Gombrowiczowskie żarty z Heideggera, „Teksty Drugie” 1–2, s. 345–353.

Cataluccio F.M. (1991), Gombrowicz filozof, przeł. K. Bielas, w: F.M. Cataluccio, J. Illg (red.), Gombrowicz filozof, Kraków: Znak, s. 5–21.

Cern K.M. (2007), Koncepcja czasu wczesnego Heideggera, Poznań: Wydawnictwo Naukowe Instytutu Filozofii UAM.

Gall A. (2011), Humanizm performatywny. Polemika z filozofią w praktyce literackiej Witolda Gombrowicza, przeł. G. Sowinski, Kraków: Universitas.

Gombrowicz W. (1986a), Kosmos, Kraków – Wrocław: Wydawnictwo Literackie.

Gombrowicz W. (1986b), Ślub, w: tenże, Dramaty, Kraków – Wrocław: Wydawnictwo Literackie, s. 89–224.

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Gombrowicz W. (2017), Kurs filozofii w sześć godzin i kwadrans, przeł. I. Kania, Kraków: Wydawnictwo Literackie.

Heidegger M. (2005), Bycie i czas, przeł. B. Baran, Warszawa: Wydawnictwo Naukowe PWN.

Heidegger M. (2009), Podstawowe problemy fenomenologii, przeł. B. Baran, Warszawa: Fundacja Aletheia.

Jarzębski J. (1971), Pojęcie „formy” u Gombrowicza, „Pamiętnik Literacki” LXII, z. 4, s. 69–96.

Jarzębski J. (1982), Gra w Gombrowicza, Warszawa: Państwowy Instytut Wydawniczy.

Kijowski A. (1984), Strategia Gombrowicza, w: Z. Łapiński (red.), Gombrowicz i krytycy, Kraków: Wydawnictwo Literackie, s. 429–465.

Luchte J. (2008), Heidegger’s Early Philosophy. The Phenomenology of Ecstatic Temporality, London: Continuum International Publishing Group.

Margański J. (2001), Gombrowicz, wieczny debiutant, Kraków: Wydawnictwo Literackie.

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Michalski K. (1978), Heidegger i filozofia współczesna, Warszawa: Państwowy Instytut Wydawniczy.

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Pöggeler O. (2002), Droga myślowa Martina Heideggera, przeł. B. Baran, Warszawa: Czytelnik.

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Sanavio P. (1991), Gombrowicz: forma i rytuał, przeł. K. Bielas, F.M. Cataluccio, w: F.M. Cataluccio, J. Illg (red.), Gombrowicz filozof, Kraków: Znak, s. 25–68.

Sobota D.R. (2013), Źródła i inspiracje Heideggerowskiego pytania o bycie, t. 2, Bydgoszcz: Yakiza.

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Wodziński C. (1994), Heidegger i problem zła, Warszawa: Państwowy Instytut Wydawniczy.
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Authors and Affiliations

Mateusz Waśko
1
ORCID: ORCID

  1. Uniwersytet Jagielloński, Instytut Filozofii, ul. Grodzka 52, 31‑044 Kraków
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Abstract

Martin Heidegger in The Origin of the Work of Art (Der Ursprung des Kunstwerkes) developed a whole new way of thinking about art, going beyond traditionally understood aesthetics or even philosophy of art. Some of Heidegger’s thoughts, however, appear to be understated and only signal a huge complexity of both experiencing works of art and the very issue of the origin of the work of art. The analysis of the terms ‘dread’ and ‘eyeblink’ from Time and Being presented in this article complement and develop Heidegger’s ideas included in his essay. Linking art to these two crucial phenomena of fundamental ontological analysis of Dasein casts light on the status of art and its existential significance. The author aims mainly at demonstrating the aletheic connection (based on unclosedness) between the experience of ‘originary source’ of a piece of art and ‘dread’, and also, in conclusion, he points to the ‘event of Being’ as the essential, non-metaphysical origin of art.

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Andrzej Krawiec
ORCID: ORCID
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Abstract

W artykule zastosowano Ingardena pojęcie „systemu względnie izolowanego,” aby sformułować fenomenologię architektury podkreślającą sposób, w jaki granica struktury i otwory w niej definiują „wnętrze” i „zewnętrze” i regulują przepływ między nimi. Podejście to porównane jest z myślą Norberga-Schulza. Zaletą podejścia ingardenowskiego są, m.in., zgodność z biomimetycznym wynajdowaniem formy i nowe spojrzenie w przyszłe praktyki architektoniczne, które będą coraz bardziej „posthumanizowane.”
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Authors and Affiliations

Mathew Gladden
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Abstract

Fenomenologia to projekt filozoficzny o ogromnym, przede wszystkim metodologicznym, do dziś niewykorzystanym potencjale. Nie wyczerpuje się on ani w nawiązujących raczej do Heideggera hermeneutykach dwudziestego wieku, ani też w bardziej analitycznie zorientowanych współczesnych badaniach nad językiem. Potencjał ten odkrywamy dziś, kiedy przede wszystkim humanistyka i badania społeczne stoją przed nowymi wyzwaniami, wymagającymi nowej interpretacji ludzkiego doświadczenia. Tu fenomenologia transcendentalna jako teoria doświadczenia z perspektywy przeżyciowej odwołująca się do metody intencjonalno-genetycznej analizy oferuje nowe możliwości badawcze.Fenomenologia to projekt filozoficzny o ogromnym, przede wszystkim metodologicznym, do dziś niewykorzystanym potencjale. Nie wyczerpuje się on ani w nawiązujących raczej do Heideggera hermeneutykach dwudziestego wieku, ani też w bardziej analitycznie zorientowanych współczesnych badaniach nad językiem. Potencjał ten odkrywamy dziś, kiedy przede wszystkim humanistyka i badania społeczne stoją przed nowymi wyzwaniami, wymagającymi nowej interpretacji ludzkiego doświadczenia. Tu fenomenologia transcendentalna jako teoria doświadczenia z perspektywy przeżyciowej odwołująca się do metody intencjonalno-genetycznej analizy oferuje nowe możliwości badawcze.
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Authors and Affiliations

Jagna Brudzińska
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Abstract

The aim of the paper is to present the theory of meaning formulated by Roman Ingarden in the Controversy over the Existence of the World, The Literary Work of Art, and in The Cognition of the Literary Work of Art. When this has been done here, I test Ingarden’s theory by applying it to selected problems of contemporary philosophy of language. These problems include the semantics of empty names, the controversy between Millianism and descriptivism over the nature of proper names, the problem of substitutability in intensional contexts, meaning holism, compositionality, and the boundary between semantics and pragmatics. My analysis of these problems within the framework of Ingarden’s theory and my presentation of their solutions as delivered by G. Frege, K. Ajdukiewicz, W.V. Quine and D. Davidson shed interesting light on this extremely complex and ‘fine‑grained’ theory based on Ingarden’s original ontology. Although Ingarden’s theory does not fall within the dominant current of language philosophy, it offers a solution to the problem of empty names, the relation of proper names to definite descriptions, and substitutability. The theory is not holistic nor does it blur the distinction between semantics and pragmatics. Unfortunately, Ingarden’s theory is not compositional and reifies meanings, which may be seen as a serious objection to it. Therefore, the assessment of this theory cannot be unequivocal.
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Authors and Affiliations

Janusz Maciaszek
1
ORCID: ORCID

  1. Uniwersytet Łódzki, Instytut Filozofii, ul. Lindleya 3/5, 90-131 Łódź
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Abstract

The article explores the influences and reinterpretations of Roman Ingarden’s philosophy that can be found in Leopold Blaustein’s work. The latter studied in Lvov under Ingarden and established a long‑life philosophical dialogue with his mentor. There is a common agreement in comparative literature on the two authors which claims that Blaustein was influenced by Ingarden mainly in the field of aesthetics. This author supports a different proposition that these influences were much wider and encompassed methodology and theory of consciousness as well. The article is divided into three main parts. First, Blaustein’s critique of eidetic methods in phenomenology is reconstructed. In this context, it is claimed that Blaustein’s arguments aim at Ingarden’s concept of phenomenology rather than at Husserl’s. Yet, even if Blaustein tended to understand phenomenology as descriptive psychology, and Ingarden – as eidetic analysis, they both seemed to agree that phenomenology consisted in rigorous description of the ways of how the objects are given in experience. Secondly, Blaustein’s argument against Husserl’s theory of consciousness is reconstructed. The author claims that the argument is based on Ingarden’s differentiation between ‘living through’ and ‘experiencing’ sense data. Finally, the author examines some points that connect or divide both aesthetical theories.
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Authors and Affiliations

Witold Płotka
1
ORCID: ORCID

  1. Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie, Instytut Filozofii, ul. Wóycickiego 1/3, 01-938 Warszawa
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Abstract

The purpose of this article is to analyze the assumptions and implications of Roman Ingarden’s concept of consciousness as a relatively isolated system in the context of contemporary discussions on mechanistic model of scientific explanation. Starting with a presentation of Ingarden’s position, I try to show that the key problem of the theory of consciousness is the discovery of its neurobiological mechanisms. The systemic approach proposed by Ingarden is only the first step towards a theory that integrates the phenomenology of consciousness and a mechanistic framework. The next step is to show that research on the mechanisms of consciousness is a natural extension and deepening of the systemic approach.
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Authors and Affiliations

Robert Poczobut
1
ORCID: ORCID

  1. Uniwersytet w Białymstoku, Instytut Filozofii, Plac NZS 1, 15-420 Białystok
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Abstract

The article aims to show that the criticism of the psychophysiological theory of cognition formulated by Roman Ingarden in the work U podstaw teorii poznania (‘The Groundwork of Epistemology’) is in some aspects still sound. The psychophysiological theory of cognition is the forerunner of modern naturalized epistemology. Thus the author of this article undertakes to show that Ingarden’s critique applies to this modern epistemology. The paper focuses on an issue that is discussed in both theories, i.e. the problem of causal generation of cognition. Moreover, it investigates two allegations that Ingarden has formulated. The first concerns the causal explanations of the possibility of knowledge, namely the objection of a vicious circle in theory. The second concerns the objection that causal theory is unable to provide essential epistemological concepts and criteria that are necessary for the analysis of cognition. The author supports the charge of the vicious circle and agrees with the purport of the second objection by showing that it can be interpreted as the claim that causal theory is incapable of solving the problem of causal underdetermination of cognition. These responses seem to hold irrespective of whether one adopts foundationalism or anti‑foundationalism in epistemology.
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Authors and Affiliations

Rafał Lewandowski
1
ORCID: ORCID

  1. Uniwersytet Gdański, Szkoła Doktorska Nauk Humanistycznych i Społecznych, ul. W. Stwosza 63, 80-308 Gdańsk
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Abstract

Martin Heidegger’s philosophy influenced both psychiatry and practical psychotherapy of mentally disturbed patients. The essay deals with Heidegger’s concepts of corporeality and disease, as they were expounded in the Zollikon seminars, and discusses the influence of Heidegger’s Dasein-analysis on Ludwig Binswanger and Medard Boss. The concepts of Dasein-analysis, proposed by the two psychiatrists, are also discussed. At the end of the paper the author shows the relevance of Heidegger’s thought for psychiatry and psychotherapy in general and for the so-called anthropological psychiatry in particular.

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Authors and Affiliations

Karol Michalski
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Abstract

W artykule dokonuję rekonstrukcji i krytycznie omawiam (analizuję) podstawowe zręby Zdzisława Cackowskiego sposobu rozumienia filozofii i nauki. Podkreślam, iż według Cackowskiego filozofia jest nauką (i to nauką nomotetyczną), choć zarazem jest to nauka ze wszystkich najogólniejsza. Filozofia bowiem, podobnie jak nauki szczegółowe, spełnia wszystkie najważniejsze, tak jak je określa Cackowski, warunki i kryteria naukowości. Filozofia ponadto, podobnie jak każda inna nauka, prócz funkcji poznawczej, pełni również istotne funkcje praktyczne, w szczególności światopoglądowo-ideologiczne. Natomiast specyfika (swoistość) filozofii wynika z jej aspiracji uniwersalistycznych i według Cackowskiego polega na bezprecedensowo wysokim (najwyższym) stopniu ogólności odkrywanych przez nią prawidłowości — prawidłowości dotyczących obiektywnie istniejącej rzeczywistości i jej poznania. O specyfice filozofii przesądza zdaniem Cackowskiego również to, że usiłuje ona zgłębić naturę jakościowych skoków pomiędzy podstawowymi segmentami świata realnego, np. pomiędzy obiektami kwantowymi i korpuskularnymi, przyrodą nieorganiczną i organiczną, procesami neuronalnymi i umysłowymi itp. By jednak nie oderwać się od rzeczywistości, zdaniem Cackowskiego, filozoficzne syntezy każdorazowo winny być zakotwiczone w wyspecjalizowanych badaniach nauk szczegółowych, w konkretnych wynikach tych badań oraz w szeroko pojętej praktyce naukowej i społecznej, czyli w sferze praxis. Sposób rozumienia filozofii przez Cackowskiego czyni ją zatem, z jednej strony, zasadniczo zbieżną z pozytywistyczną, scjentystyczną i marksistowską koncepcją filozofii, z drugiej zaś strony — sytuuje ją w wyraźnej opozycji do fenomenologicznej jej koncepcji. Zastrzeżenia i sprzeciw Cackowskiego wobec fenomenologicznego projektu badań filozoficznych były w jego twórczości względnie stałe (z biegiem lat zmieniały się tylko nieznacznie) i z reguły dotyczyły: (1) zakresu i sensu ich autonomii wobec nauk szczegółowych, (2) zasady bezzałożeniowości (i to bez względu na stopień jej radykalizmu), (3) Husserlowskiej „zasady wszelkich zasad” jako głównego metodologicznego principium, (4) fenomenologicznej koncepcji bezpośredniego doświadczenia, (5) możliwości i zakresu poznania ejdetycznego, (6) idei transcendentalizmu i koncepcji czystej świadomości oraz (7) zasadniczej postawy fundamentalistycznej, motywowanej zarówno wątkami kartezjańskimi, jak i, zdaniem Cackowskiego, całkowicie irracjonalną tęsknotą do odkrycia absolutu metafizycznego i epistemologicznego.
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Authors and Affiliations

Józef Dębowski

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