In Nantes, the last shipyard closed in 1986 leaving the city in a desperate situation. The cranes, symbolizing the industrial activity, one by one stopped. Unemployment stroked. The question was between turning the page, tearing down the workshops and reinventing a new story or trying to preserve would appear to most of the population, a kind of modern bulky legacy. In the early 2000’s, the revitalization of Nantes’ former industrial area, led to developing a new way thinking. Instead of designing an urban map with major spots and rows of housing, A. Chemetoff thought better to draw an urban landscape where the past could mix with the future. The industrial heritage has been then preserved in two diff erent ways: construction halls have been reshaped preserving the original structure, everything should be reversed. The intangible heritage, meaning worker’s knowledge, has been reinvested in the cultural industry. This way, the image of the city, its brand, moved from industrial to cultural, attracting a new kind of business, mainly high-tech, students, in a new: “art de Vivre” (Art of living).

In this work, simulation techniques have been implemented to study the sound fields of a multi-configurable performance enclosure by creating computer acoustic 3D-models for each room configuration. The digital models have been tuned by means of an iterative fitting procedure that uses the reverberation times measured on site for unoccupied conditions with the orchestra shell on the stage. The initial virtual acoustic model is validated by comparing the other monaural and binaural acoustic parameters measured in the room in terms of their perception differential threshold. The procedure is applied to the Maestranza Theatre of Seville, built for the Universal Exhibition in 1992. The spatial distribution of the acoustic parameters in the audience area of the venue by measured parameters and simulation mappings enables the establishment of three zones of acoustic comfort, and are corroborated by the values of the Ando-Beranek function which provide a global quality coefficient of each zone.

The revitalization of brownfi elds and post-industrial facilities is a long-term and multistage process. In the first stage of revitalization, it is important to assess the material, emotional and utilitarian value of the preserved cultural heritage. On the example of a revitalization project that has been ongoing since 1996, the former areas of the Gdańsk Shipyard, where the remains of the Imperial Shipyard and Schichau Shipyard are located, the process of formulating the value of the preserved cultural material heritage has been presented. The impact of this process on the subsequent stages of the revitalization of the Young City in Gdańsk was also presented. Gdańsk Shipyard is the cradle of Solidarity, so the emotional value associated with the events accompanying the creation of the Solidarity movement was considered to be the dominant one. Only two objects were entered in the register of monuments; BHP Hall and Solidarity Square (Plac Solidarności). When the Local Development Plan has been passed many investments have begun by various investors without comprehensive integrated activities. The demolition of the preserved halls and the dismantling of shipyard equipment began. This caused that in 2015 the uniqueness of the survived post-industrial complex, qualifying it for inclusion in the World Heritage list, was appreciated. In 2018, the Provincial Pomeranian Monument’s Conservator began the procedure of entry of the preserved objects to the register of monuments. This resulted in the suspension of all investments that commenced legally in the area covered by the proceedings. Lack of proper assessment of the cultural value of material heritage at the stage of preparing the revitalization process led to the loss of part of this heritage and caused increase of the investment activities risk in this area.

The text deals with the issue of “historical biography”. It aims to reconstruct the key concepts connected with the biographical publishing series “The Legacies of the progressive personalities of our past”. The text answers the question what conceptual framework surrounded and legitimised the edition.

Biskupin is one of the most recognizable archaeological site in Poland and Central Europe. The origins of the excavations dates back to year 1934 and had lasted almost continuously until 1974. In the framework of the grant from the Ministry of Culture and National Heritage interdisciplinary team of scientists from Archaeological Museum in Biskupin and Warsaw University of Technology performed multi-dimensional analysis of the settlement. Based on the integrated vector documentation, resulting from the photographic documentation, numerical models of structural systems of main types of buildings and defensive rampart were prepared. The aim of the analysis was a verification of the earlier findings of archaeological and architectural researches. The analysis allowed to verify both the arrangement of individual parts of structure of buildings, their work and the interconnection, as well as the possible dimensions of the individual components.

This article concerns church monuments, which are part of the cultural heritage of Dukla. This is a town with medieval origins, located within the Podkarpackie Voivodeship, in the Krosno district. In the past it was an important centre of commerce on the Hungarian Route. Merchant traditions in Dukla are mainly associated with trade and storage of wine, which was kept in the cellars under the main market square in Dukla. Because of the rank, which the town used to have in the past, it can boast numerous monuments including objects associated with the administrative, commercial and economic functions of the town, as well as — or perhaps primarily — sacred objects. Among the latter, one has to mention firstly the parish church of St Mary Magdalene, the church and monastery complex of the Bernardine Order, and the synagogue of the Jewish community, that once used to live in Dukla. Those objects, their cultural value and issues related to their protection constitute the subject of this study.

The authenticity of the historical garden, as defined by the Florence Charter, is conducive to its broad interpretation. In the era of the present crisis of conservation values, the identification of criteria helpful in an objective assessment of the authenticity of both historical and historising forms of greenery is required.

On the example of the restoration’s solutions in the gardens at Wilanów and the condition of selected elements of the urban greenery in Warsaw, it is possible to verify the model of valorization of factors determining the vegetation’s authenticity proposed by the author of the article. This model also allows to emphasize the features determining the role of royal gardens in Wilanów in maintaining the historical horticultural values of modern Warsaw.