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Keywords humour
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Abstract

This article argues that humour is a distinct category, applicable to literature, fine art, and even music, and takes up nineteenth-century art as a case in point.
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Authors and Affiliations

Maria Cieśla-Korytowska
1
ORCID: ORCID

  1. Wydział Polonistyki UJ
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Abstract

The article analyzes a Brazilian Carnival marchinha from the perspective of language. The proposal is to understand the marchinha from themes related to politics in a humorous way, articulated with the cultural and historical-political context, based on Freud (1980) and Charaudeau (2009).
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Authors and Affiliations

Maria Cecília Guilherme Siffert Pereira Diniz
1
ORCID: ORCID

  1. USP/Esalq-Pecege, Universidade de São Paulo
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Abstract

This essay deals with, or rather attempts to explore, the problem of irony and humour (sensu largo) in the Bible. On the whole Polish theology, homiletics and academic biblical studies have hardly anything to say about it, and when they do mention it, it is done in a rather perfunctory and unsatisfactory manner. This article asks what may be reasons for this ‘exegetical retouch’ (tabooing?), i.e. why has the question of biblical irony, which is a staple of international scholarship, received so little attention in Poland? Why do contemporary Polish biblical and homiletic studies cultivate a staid and solemn tone, and steer clear of a direct and plain exposition laced with subtle irony and a touch of asteism, a sure sign of a wise sense of humour that characterizes ancient Judaism? For Gary Webster, Terri Bednarz and Yehuda Radday the recognition level of biblical humour, sophisticated wordplay or irony depends on the reader’s competence, his linguistic and cultural sensitivity, his ability to detect cognitive presuppositions, and his knowledge of relevant contexts. Yet even a thorough understanding of the biblical text and its cultural conditioning cannot rule out doubts, moot points and interpretative dilemmas that bedevil the work of every translator and hermeneutic analyst and stoke up unending debates.

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Authors and Affiliations

Albert Gorzkowski
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Abstract

Building on the heritage of a tradition that goes over a century, the essence of Montevideo’s carnival refers to a rich collection of discourses in which dozens of popular shows review the political, social, and cultural vicissitudes of the year in a humorous manner. This work focuses on some of the discourses that reflect the multiple ways of living and feeling in the unique context of the COVID pandemic.
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Authors and Affiliations

Milita Alfaro
1
ORCID: ORCID
Guzmán Ramos
1
ORCID: ORCID

  1. Cátedra Unesco de Carnaval y Patrimonio – Facultad de Información y Comunicación de la Universidad de la República Uruguay
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Abstract

In his book, Ajuar funerario (2004), Fernando Iwasaki presents a range of scary stories. In some cases, the horror results from the gap between the terrible story told or suggested and the tone of the narrator. Although the presence of intertextual references to canonical authors of the genre often leads to parody, laughter, or smile never last long in Iwasaki’s literature. The reader soon realizes that even if horror has ceased to be embodied in the traditional motifs of the genre, it is still there, alive and kicking, ready to put our certainties in crisis and give us new chills.
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Authors and Affiliations

Roberta Previtera
1
ORCID: ORCID

  1. Université de Lille, Institut des Amériques
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Abstract

Manuel de Lima (1915–1976), violinist, painter and music critic, began his writing career in 1944 with the long short-story Um Homem de Barbas [ A man with a beard]. It was the middle of the Second World War and the Salazar dictatorship was well established in officially neutral Portugal. A few years before the belated emergence of Portuguese surrealism, to which he was linked, and in the midst of the development of neorealism, a protest movement followed mainly by the young writers of the time, Manuel de Lima asserted himself from the outset as a very singular writer. Um Homem de Barba is a narrative of a love triangle that ends with the spectacular disappearance of the three protagonists. In this first work placed under the sign of the absurd, which mixes satire, marvelous, and burlesque and in which, according to Almada Negreiros' 1944 preface, the author uses realism to "undo realism", we will study the place and role of humor, as well as the various devices used.
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Authors and Affiliations

Georges Da Costa
1
ORCID: ORCID

  1. Université de Caen Normandie
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Abstract

Since 1950, nerudian poetry explores humor’s expresive shades as a new aesthetic strategy to face personal and political turmoils. If such humor can be critical, it though becomes both a bitter miror, a stronghold and a releasing comfort.
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Authors and Affiliations

Marie-Laure Sara-de La Vaissière
1
ORCID: ORCID

  1. Institut Catholique de Paris, Islhhs / CRLA-ARCHIVOS
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Abstract

The article aims to answer the question: what type of humor is the most used in times of crisis? First of all, however, one must realize that humorous discourse analysis is not the task of a single discipline. For this reason, the first part of the article presents the contributions of other scientific disciplines to the methodology used in this study.
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Authors and Affiliations

Joanna Wilk-Racięska
1
ORCID: ORCID

  1. Uniwersytet Śląski w Katowicach
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Abstract

The joke is a kind of text of unknown origin, oral, popular and brief, to which scholars have paid very little attention. In this work, we depart from the children´s jokes to draw some lines of analysis that would allow us to deal with the joke in the frame of a general theory of laughter. According to us, this cannot be understandable without referring to the interdiscourse, the set of mechanisms to which we do not have direct access but which determine what we do, think or say.
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Authors and Affiliations

Cristian Palacios
1
ORCID: ORCID

  1. Conicet, Universidad de Buenos Aires
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Abstract

This article presents a profile of the satirical weekly Szopka (A Puppet Show) published in Warsaw between 1922 and 1925 under the auspices of the National Democracy (ND). Committed to a nationalist ideology, Szopka published cartoons and satirical texts lampooning the alleged enemies of Poland and the Poles. Its favoured technique was to caricature and ridicule its targets, both individuals and institutions. Among them were Józef Piłsudski, his policies and his political associates, the Bolsheviks, the Germans and the Jews. To propagate their nationalist worldview the editors made use of a broad range of persuasion techniques.

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Authors and Affiliations

Ewa Maj
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Abstract

The objective of this article is to project from three stories by César Aira certain literary micropoetics towards other discourses (Barcelona magazine and Capusotto’s television program) to make some considerations about humorous semiosis: the simultaneous effect of irritation and derision.
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Authors and Affiliations

Ana Beatriz Flores
1
ORCID: ORCID

  1. Universidad Nacional de Córdoba
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Abstract

In order to rebuild a poetic voice that had been threatened by major historical events, from 1958, the Nerudian poetic subject inaugurated a particular sincerity through the humor. By focusing on a figure of language described by Nicholas Manning in Rhétorique de la sincérité, this paper examines a dialectical mechanism at work in the volume: which is the rehabilitation of the poetic voice by means of the very questioning of his legitimacy.
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Authors and Affiliations

Mélina Cariz
1
ORCID: ORCID

  1. Lycee François Mansart, Saint-Maur Des Fosses, France
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Abstract

Mikhail Zoshchenko is one of the most famous Russian humourists and writers of the first half of 20th century. His texts, and in particular the short stories written in 1920s–1930s, are true masterpieces and had an extraordinary success in Russia, echoed in an immediate reception abroad. The aim of this contribution is to analyse some samples from the ten Italian translations of one of his most iconic short stories, Aristokratka (1924). Particular attention will be given to the way the translators dealt with the different aspects of the language used by Zoshchenko, a perfect specimen of a modern realisation of the skaz.
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Authors and Affiliations

Noemi Albanese
1
ORCID: ORCID

  1. Università degli Studi di Roma Tor Vergata
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Abstract

Humor has ancient roots and it has been the object of study of various disciplines from sociology, to literature, to linguistics. It has been highlighted how it can have an inclusive or exclusive value based on how it is used. Ethnic comedy has been employed by migrant subsequent generations to express a sense of belonging. Exploiting humour, behaviors and attitudes typical of first-generation emigrants who have been the object of denigration by mainstream society for a long time, have been turned by young generations into distinctive characteristics of the group and elements of belonging. This article aims to verify how language in ethnic comedy is used by young people of Italian descent in Australia and Canada as an expression of identity. Therefore, shows by Australian comedian Joe Avati and some episodes of the web series Nonna Maria Canada will be analyzed.
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Authors and Affiliations

Angela Princiotto
1

  1. Universidad de Santiago de Compostela
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Abstract

The crisis leading to the independence of Brazil was thoroughly debated in the first Portuguese Parliament, elected in the aftermath of the 1820 revolution. That debate was magnified by the press, including humorous periodicals. Laughter, from irony to sarcasm, was instrumental in constructing public opinion endorsing competing strategies.
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Authors and Affiliations

João Pedro Rosa Ferreira
1
ORCID: ORCID

  1. Cham – Centro de Humanidades, Faculdade de Ciências Sociais E Humanas, Universidade Nova de Lisboa
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Abstract

This article examines the role of laughter in overcoming crises. Based on the study of different materials produced in the Basque Country between 1987 and 2017 and analyzed using the CDA, we will see how punk culture a pioneer in the desacralization of ETA and how mass culture subsequently took hold of this topic, thus facilitating a collective catharsis.
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Authors and Affiliations

Ludivine Thouverez
1
ORCID: ORCID

  1. Universite de Poitiers, MIMMOC
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Abstract

The reflection proposed in this article starts from the realities of the border and the sea, and from the problematic meaning they assumed in the frame of the city of Fiume (Rijeka) in the early twentieth century. The main goal is to explore how in the work of Enrico Morovich, an Italian writer coming from Fiume who had to personally and tragically experience war and exile, the border and the sea act as devices of literary creation, providing models of humorous reversal (the border) and symmetrical thinking (the sea). The analysis will focus in particular on the following works by Morovich: Cronache vicine e lontane (1981), La nostalgia del mare (1981), Un italiano di Fiume (1994).
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Bibliography

1. BACHTIN, M. M. (1979): “Autor i geroj v èstetičeskoj dejatel’nosti”, in ID.: Èstetika slovesnogo tvončestva, pod redaktsiyey S. G. Bočarov/S. S. Averincev, Iskusstvo, Moskva, 9–192.
2. ID. (1988): “L’autore e l’eroe nell’attività estetica”, in: ID.: L’autore e l’eroe. Teoria letteraria e scienze umane, a cura e trad. it. di C. STRADA JANOVIČ, Einaudi, Torino, 5–187.
3. BELLABARBA, M. (2014a): L’impero asburgico, Il Mulino, Bologna.
4. ID. (2014b): “Un impero multinazionale nella guerra delle nazioni. Lo strano caso dell’impero asburgico”, Studium, 110/6, 830–840.
5. BORONI, C. (2015): “Prefazione” a: MOROVICH, E.: I racconti per il “Giornale di Brescia”, a cura di C. BORONI, La Compagnia della Stampa Massetti Rodella Editori, Brescia, 13–57.
6. CIMADOR, G. (2018): “Bruno Maier: forme, categorie, aspetti del comico”, Archeografo Triestino, Serie IV, vol. LXXVIII (CXXVI della Raccolta), Trieste, 179–253.
7. D’ALESSANDRO, L. (2014): Mediterraneo crocevia di storia e culture: un caleidoscopio di immagini, Harmattan Italia, Torino.
8. MATTE BLANCO, I. (1975): The unconscious as infinite sets. An essay in bi‑logic, Duckworth, London.
9. MATVEJEVIĆ, P. (2006): Breviario del Mediterraneo, trad. it. di S. Ferrari, Garzanti, Milano.
10. MOROVICH, E. (1981a): Cronache vicine e lontane, San Marco dei Giustiniani, Genova.
11. ID. (1981b): La nostalgia del mare, Unimedia, Genova.
12. ID. (1985): Racconti di Fiume e altre cose, Compagnia dei Librai, Genova.
13. ID. (1988): Miracoli quotidiani, Sellerio, Palermo.
14. ID. (1994): Un italiano di Fiume, Rusconi, Milano.
15. ID. (2014): “Per una storia di Fiume”, Fiume. Rivista di studi adriatici, 29, 3–30.
16. MOROVICH, E./ VERDINO, S. (1990): Intervista a Enrico Morovich. Realizzata dal professor Stefano Verdino 21 novembre 1990, a cura della Provincia di Genova, Fondazione Mario Novaro, s.n., Genova, I: https://www.youtube.com/watch?v=MUQxNu7v2L8&t=290s; II: https://www. youtube.com/watch?v=4Rc1PI7L2_A; III: https://www.youtube.com/watch?v=YkWN9- sYE7rk; IV: https://www.youtube.com/watch?v=ebQybG9MjcA&t=9s.
17. ROMBI, B. (1997): Morovich oltre i confini, Editrice Liguria, Savona.
18. STELLI, G. (a cura di) (2006): Fiume, crocevia di popoli e culture, Atti del convegno internazionale, Roma, 27 ottobre 2005, Società di studi fiumani, Roma.

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Authors and Affiliations

Novella Di Nunzio
1

  1. Vilniaus Universitetas, Vilnius
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Abstract

At the end of the Golden Age, how did a prose writer from Madrid use comedy to achieve the didactic, moralizing and religious project of his fiction works? When the Spanish novel was in crisis, Francisco Santos pleased a devout readership by using some of the clichés of popular and literary satire.
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Authors and Affiliations

Alain Tourneur
1
ORCID: ORCID

  1. Universidad de Lille
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Abstract

Mature males of a wild boar-pig crossbreed, during the long and short day season, were used for the study which demonstrates that the chemical light carrier CO regulates the expression of biological clock genes in the hypothalamus via humoral pathways. Autologous blood with experimentally elevated concentrations of endogenous CO (using lamps with white light-emitting diodes) was infused into the ophthalmic venous sinus via the right dorsal nasal vein. Molecular biology methods: qPCR and Western Blot were used to determine the expression of genes and biological clock proteins. The results showed that elevated endogenous CO levels, through blood irradiation, induces changes in genes expression involved in the functioning of the main biological clock located in suprachiasmatic nuclei. Changes in the expression of the transcription factors Bmal1, Clock and Npas2 have a similar pattern in both structures, where a very large decrease in gene expression was shown after exposure to elevated endogenous CO levels. The changes in the gene expression of PER 1-2, CRY 1-2, and REV-ERB α-β and ROR β are not the same for both POA and DH hypothalamic structures, indicating that both structures respond differently to the humoral signal received.
The results indicate that CO is a chemical light molecule whose production in an organism depends on the amount of light. An adequate amount of light is an essential factor for the proper functioning of the main biological clock.
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Authors and Affiliations

P. Gilun
1
M. Koziorowska-Gilun
2
B. Wąsowska
1
M. Sowa-Kućma
3
K. Kozioł
4
M. Romerowicz-Misielak
4
W. Kordan
2
M. Koziorowski
4

  1. Department of Local Physiological Regulations, Institute of Animal Reproduction and Food Research of the Polish Academy of Sciences in Olsztyn, Tuwima 10, 10-748, Olsztyn, Poland
  2. Department of Animal Biochemistry and Biotechnology, Faculty of Animal Bioengineering, University of Warmia and Mazury, Oczapowskiego 5, 10-719 Olsztyn, Poland
  3. Department of Human Physiology, Institute of Medical Sciences, Medical College of Rzeszow University, Kopisto 2a, Rzeszow, 35-959, Poland
  4. Department of Animal Physiology and Reproduction, Institute of Biology and Biotechnology, Collegium Scientarium Naturalium, University of Rzeszow, Werynia 502, 36-100 Kolbuszowa, Poland
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Abstract

This article discusses the image of sports fans in the cartoons published in the illustrated weekly Przegląd Sportowy between 1921 and 1939. The discussion also includes pictorial representations of sports audiences against the background of our knowledge of contem-porary group behavior and analyses of individual cartoons in their direct context. Furthermore, the article tries to assess the affective aspect of the cartoons, i.e. the message they address to their readers. Finally, in the course of this examination we have managed to identify the authors of most of the cartoons.
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Bibliography

Źródła

Prasa
„Przegląd Sportowy” 1921–1939.
„Angora” 2011–2012.

Inne
Co piłka robi z człowiekiem? Młodość, futbol i literatura — antologia, oprac. J. Borowczyk, W. Hamerski, il. H. Sawka, Poznań 2012.
Narodowe Archiwum Cyfrowe, Koncern Ilustrowany Kurier Codzienny — Archiwum Ilustracji, sygn. 1‑S‑96‑3, Uroczystości 25‑lecia klubu sportowego Cracovia w Krakowie, 05.1932 r.
Narodowe Archiwum Cyfrowe, Koncern Ilustrowany Kurier Codzienny — Archiwum Ilustracji, sygn. 1‑M‑1397‑3, Międzynarodowy motocyklowy wyścig górski w Wiśle, 17.07.1932 r.
Narodowe Archiwum Cyfrowe, Koncern Ilustrowany Kurier Codzienny — Archiwum Ilustracji, sygn. 1‑S‑856‑4, Trójmecz lekkoatletyczny Polska — Belgia — Węgry na Stadionie Wojska Polskiego im. Marszałka Józefa Piłsudskiego w Warszawie [zdjęcie], 09.1936 r.
Piłka w grze. Międzynarodowy Konkurs na Rysunek Satyryczno‑Humorystyczny [katalog wystawy], Warszawa 2012.

Artykuły
Szczepłek S., Pożegnanie Żylety z Łazienkowskiej, „Rzeczpospolita”, 15.11.2008 r., www.rp.pl [dostęp: 20.07.2020].
Woytek, 25 lat flagi „Żyleta”, „Legioniści.com”, 19.11.2010 r., www.legionisci.com [dostęp: 20.07.2020].

Opracowania
Beniuk Sz., O piłkarskich trybunach Lwowa lat 30. XX wieku na łamach prasy sportowej. Wybrane aspekty, „Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Kultura Fizyczna” 2018, t. XVII, nr 1, s. 23–57.
Bergmann O., „Prawdziwa cnota krytyk się nie boi…”. Karykatura w czasopismach satyrycznych Drugiej Rzeczypospolitej, Warszawa 2012.
Chełmecki J., Kultura masowa a sport w Polsce w okresie międzywojennym, „Prace Naukowe. Kultura Fizyczna” 2003, t. 5, s. 77–88.
Daraszkiewicz M., Kibice chuligani w polskiej piłce nożnej. Od II Rzeczypospolitej przez PRL po XXI wiek. Wybrane aspekty — studium przypadku, [w:] Sport i zdrowie. Historia, prawo, społeczeństwo, red. K. Łukomiak, Łódź 2020, s. 27–49.
Gaszyński P., Zanim powstała liga. Almanach rozgrywek piłkarskich w Polsce w latach 1919–1926, t. I: sezon 1919, Kraków 2019.
Gawkowski R., Encyklopedia klubów sportowych Warszawy i jej najbliższych okolic w latach 1918–39, Warszawa 2007.
Goksiński J., Klubowa historia piłki nożnej do 1939 roku, Warszawa 2013.
Gowarzewski A., Encyklopedia piłkarska FUJI. Mistrzostwa Polski. Ludzie 1918–1939, t. 51, Katowice 2017.
Górska H., Lipiński E., Z dziejów karykatury polskiej, Warszawa 1977.
Kakareko K., Karykatura jako narzędzie polityki państwa, „Czasopismo Prawniczo- ‑Historyczne” 2017, z. 2, s. 295–311.
Kaszuba E., Państwowotwórcza rola Polskiego Radia w II Rzeczypospolitej w świetle pisma „Radio” / „Antena”. Wybrane zagadnienia, Kraków 2019.
Lipoński W., Sport, literatura, sztuka, Warszawa 1974. Malinowski M., Polszczyzna, głuptasie! Dylematy poprawnościowe i ciekawostki, Katowice 2021, s. 296–297.
Mazurkiewicz M., Motywy sportowe w polskiej sztuce międzywojennej — rekonesans, „Literatura i Kultura Popularna” 2016, t. 22, s. 75–89.
Michaldo T., „Skandaliczne wybryki antyżydowskie na boisku K.S. Cracovii”, czyli o wzroście nastrojów antysemickich w Krakowie w połowie 1937 roku, „Kwartalnik Historii Żydów” 2014, nr 3, s. 583–596.
Mielech S., Gole, faule i ofsajdy, Warszawa 1957.
Paczkowski A., Prasa polska w latach 1918–1939, Warszawa 1980.
Sahaj T., Fani futbolowi. Historyczno‑społeczne studium zjawiska kibicowania, Poznań 2007.
Siekiera R., Początki polskiej publicystyki sportowej w ujęciu genologicznym. „Przegląd Sportowy” w latach 1921–1925, Łódź 2016.
Sieradzka A., Moda w przedwojennej Polsce, Warszawa 2013.
Sikorski T., Karykatura polityczna jako źródło do badań nad historią Drugiej Rzeczypospolitej. Postulaty badawcze, „Historia i Polityka” 2009, nr 1, s. 63–81.
Szarota T., Niemcy i Polacy. Wzajemne postrzeganie i stereotypy, Warszawa 1996.
Tuszyński B., Prasa i sport, Warszawa 1981.
Tuszyński B., Rzut oka na główne kierunki rozwoju polskiej prasy sportowej do 1939 roku, „Rocznik Historii Czasopiśmiennictwa Polskiego” 1973, t. 12, z. 4, s. 495–515.
Tuszyński B., Sprintem przez prasę sportową, Warszawa 1975.
Wilczyńska B., Żydzi i Polacy na boiskach międzywojennego Krakowa, czyli co piłka nożna może powiedzieć o społeczeństwie, „Studia Judaica” 2015, nr 2, s. 293–319.
Wryk R., Akademicki Związek Sportowy 1908–1939, Poznań 1990.

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Authors and Affiliations

Szymon Beniuk
1
ORCID: ORCID

  1. doktorant nauk historycznych na Wydziale Nauk Historycznych i Pedagogicznych Uniwersytetu Wrocławskiego

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