The aim of this paper is to analyse and interprete the prose text "Vor der Zunahme der Zeichen" by the young, German-speaking writer who as a child fled from the civil war in Sri Lanka. The paper provides an analysis of the contingency of language signs (like homeland, descent, native language, identity) which is a function of the experience of flight, exile, and live in the globalized and electronic media-dominated world. The central role in the novel is played by the relation between death and literary language and its communicative and perception function.

Henri Bergson as well as Gaston Milhaud undertake a radical critique of the conception of radical determinism because they both think that mind is able to act in a free and creative manner. In the article, I examine to what degree their arguments, aimed to prove this autonomy, converge. I inquire whether their endorsement of freedom of the mental acts led the two philosophers to the same conclusions regarding the cognitive extent of the intellect and therefore the parallel description of the status of scientific cognition.