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Abstract

Guidebooks are practical texts that accompany people in navigating through an unknown space. Along with guiding and helping in the logistic organisation of the trip, they narrate the story of the selected place, city or region. Due to this last function, guidebooks can be a valuable source in historical research. Referring to Moscow and Kyiv Soviet guidebooks, the paper discusses the connection between text composition and historical narrative. Using the methodology of semio-tics, the article shows that different elements of city space such as houses, streets, monuments, museums etc. communicate messages about history, society, and identity. Since the city space is a big “warehouse” of objects and meanings, not all of them will be incorporated into the tourist space. The article shows which places were included (but also excluded) in Moscow and Kyiv tourist routes and depicts their connection with the canon of historical events. The paper also looks more closely at the ideological and rhetorical features of guidebook texts and how they reflect the dominant historical narrative.
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Bibliography

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Authors and Affiliations

Olena Kovalenko
1
ORCID: ORCID

  1. Uniwersytet Papieski Jana Pawła II w Krakowie
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Abstract

The Author analyses tropes of historical narration in academic lectures on history underlining the need and usefulness of research on this topic.
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Authors and Affiliations

Monika Biesaga
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Abstract

In this article, the authors confront the thesis found in historical discourse about the dominance of male figures in historical narratives present in the public sphere. In order to do so, they analyse the new research field that is the social networking site YouTube and the most popular channels on historical topics contained therein. The main research question is whether women are marginalised in the narratives contained in the sources discussed, in which contexts they appear and what is the reception of the films in which they appear. In addition, the authors look at the question of the form of historical narratives. The study combines quantitative methods (descriptive statistics, correspondence analysis) as well as qualitative methods (Northrop Frye’s typology of story motifs. For this purpose, 551 films were analysed, which were then annotated using seven groups of tags corresponding to the content of the sources ‑ concerning the func-tioning of female characters and the subject matter of the films. As a result of the analyses carried out, it was observed that the thesis of the absolute dominance of male characters in historical narratives does not fully hold true under the conditions of Web 2.0 sources in terms of quantity, while in terms of content it cannot be accepted unreservedly in the context of the very diverse use of female themes in social media resources.
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Authors and Affiliations

Wiktor Werner
1
ORCID: ORCID
Nell Sypniewska
1
ORCID: ORCID
Zuzanna Szymczak
1
ORCID: ORCID
Maciej Stachura
1
ORCID: ORCID
Adam Stryjakowski
1
ORCID: ORCID
Borys Staszak
1
ORCID: ORCID
Adrian Trzoss
1
ORCID: ORCID
Cyprian Kleist
1

  1. Uniwersytet im. Adama Mickiewicza w Poznaniu
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Abstract

The main goal of this paper is to present a fully developed concept of Paul A. Roth’s philosophy of history to the Polish reader. Of course, it is just an introduction, but with the interview it should be a good starting point for further analysis. These seem desirable given Roth’s very ambitious programme, which in addition is based on “old facts”; that is, an analytical philosophy of history and science. The rapprochement between the two “visions” is not only a philosophical consideration, but also responds to the often-raised voices of practitioners. This introduction refers primarily to Roth’s latest book, indicating a possible interpretation. This “reading” is conducted by indicating the historical context, recalling philosophical analyses and determining the validity of the proposed solutions in order to decide how much science there is in history and vice versa.

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Authors and Affiliations

Piotr Kowalewski Jahromi
ORCID: ORCID
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Abstract

In recent years, some authors have departed from the classical presentation of World War 2. This article analyses selected alternative and revisionist narratives present in the works of Tymoteusz Pawłowski, Rafał Ziemkiewicz and Piotr Zychowicz in terms of historical and ahistorical thinking, presents the authors' attitude towards the achievements of historiography, and presents the way in which they create their narratives, the content of those narratives, and evaluates them in terms of their correctness from the point of view of compliance with historical facts.
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Authors and Affiliations

Dawid Gralik
1
ORCID: ORCID

  1. Uniwersytet im. Adama Mickiewicza w Poznaniu, Wydział Historii

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