Walter Charleton, a physician and a Christian believer, was on the first advocates of physico-theology that started on a large scale at the end of the 17 ^th century and flourished in the 18th century. In his battle with the English deism and atheism, he used the arguments of the orderliness of nature to prove the existence of God. He was one of few authors trying to reconcile atomism with Christian theology. He also grappled with the problem of the immortality of the soul supporting at one point Gassendi’s idea that humans have two souls, sensitive and rational.

The author puts forward a hypothesis related to the interpretation of the thought of Joseph Ratzinger – Benedict XVI on the interrelation of time and eternity. Different religions offer different ways of departing temporality - the way of being within the confines of time - towards some extratemporal existence, commonly referred to as eternity or immortality. This perspective evokes a fundamental question: if time wants to reach beyond itself towards eternity, is it that eternity - in its turn - stays in a kind of interrelation to time, or is it a kind of negative atemporality? In its view of the matter, Christianity makes a clear statement that God has power over time, which implies that God participates in the temporal reality. This participation manifests itself overtly through the Incarnation of the Son of God. Consequently, this participation shows that man takes part in the eternity of God. In this sense, a Christian reaches eternity through his/her existence in the Person of the Resurrected Jesus. This ability to eternally remain in Jesus rests on the immortal element of the human being - that is his/her spiritual soul. The soul opens a path towards salvation and the relational eternity, that is a relationship of a Christian person with the Son of God and through Him with God as Trinitary Love. This is how Christianity – while respecting the linear nature of time – promotes a positive cyclical (yet not a reiterative) concept of time, which manifests itself in the exitus - reditus relationship. Exitus is an autonomous act of God’s creation, while reditus - is a human self-sacrifice as exemplified by the Son of God. Jesus’ self-sacrifice to God the Father is a model of how time can be projected onto a new way of existence: eternity. Therefore, Christ brings time to its fullness. His Event marks the beginning of eternity for the faithful

The article treats about a forgotten play Zaduszki (All Souls’ Day) by Stefan Grabiński, widely known as the author of fantastic literature and horror stories. The play Zaduszki consists of three parts: 1. Strzygoń. Klechda zaduszna; 2. W dzień zaduszny; 3. Sen Krysty. Misterium zaduszne. First of them is written in folk dialect. The second one, sometimes named „the longest one-act play ever staged in Polish theatre”, considers a problem of a fault and a punishment. The third one, similarly to the first one, presents folk beliefs in supernatural phenomena which take place on All Souls’ Day. Moreover, it partly resembles a mystery play. Although the trilogy got an unfavourable reception (it was shown only seven times in Juliusz Słowacki Theatre in Kraków), it may be considered as an ambitious attempt to match the heritage of Stanisław Wyspiański – according to Grabiński, the greatest authority in the field of theatre.

Taking as a starting point Vyacheslav Ivanov’s poem Eden – the epilogue of the 5th book of “metaphysical lyric poetry” Rosarium as well as his critical and philosophical works – the article proposes a culturological interpretation of the key topoi of the poet’s artistic thought: his poetic anthropology. The principal point in these considerations is conceptualisation of the category of paradise/Eden in Ivanov’s writings and the notion of happiness as “metaphysical and religious feeling” connected with a person’s spiritual life in its vertical dimension (relation man – three-personed God). Moreover, the article presents intertextual relationships between Ivanov’s poetry and cultural texts (St Augustine, Petrarch, and others) being the source of European understanding of the concepts: soul, memory, oblivion, paradise.

In her fiction Olga Tokarczuk evokes a spectrum of belief systems rooted in diverse religious traditions and entrenched in their literary‑theological redoubts. This article is an attempt of presenting an overview of the belief systems and worldviews that can be found in all of Tokarczuk's novels. It also examines her view of religion, including her opinions and reactions that belong primarily to the narrower context of the Polish hic and nunc, and the religious entanglements of literature. The fact that Olga Tokarczuk, herself a graduate of psychology, has done of lot reading in neighbouring fields such as anthropology may explain her persistent preoccupation with the soul. It holds the key both to her religious imaginarium and to her fictions. The empathic soul represents the potential transgressiveness of existence. It is also, in her own words, "the most tender narrator", a story‑telling 'persona' endowed with the faculty of fostering engagement and a sense of responsibility for the state of the world. The article argues that Tokarczuk's aim is to conjure up and activate its 'persona', or soul, and while making it interact with the reader's soul, initiate a chain reaction that breaks barriers between human beings, and reaches out beyond the confines of the human world. That process begins with her playing around with multiple religious traditions to demonstrate that their borders and defences are anything but impregnable.