The development of both the town and the administrative commune of Zielona Góra is characterised by a progressive process of uncontrolled linear urban development, so called urban sprawl. This phenomenon has existed in the town for a long time, but because of the fast development in the 21st century it is now even stronger and has an unfavourable impact on the dwellers’ comfort, communication and accessibility. The directions of changes adopted for spatial development in the current strategic documents of the new town (since 1 January 2015), which came into being as a result of the merger between the town and the rural commune of Zielona Góra, do not guarantee that the unfavourable processes will be stopped. The process of uncontrolled urban development results in the growth of dense urban structures along the roads and communication routes. This prevents an optimum use of areas located further away or behind the existing infrastructure and causes dead zones to appear, where there are no communications or infrastructure. With each new investment (a plot of land with access to a public road, as specified by the regulations) the distance between recreational areas (green spaces) and the town centre increases. The deteriorating dwelling conditions are a direct result of the unfavourable phenomenon of urban sprawl.

The metropolis of Barcelona is one of the first ten Europe's urban agglomerations. The geographic and natural conditions of the city - located in area between the sea and the forested mountain ranges running parallel to the coast and divided by broad river valleys - have considerably influenced the formation of its hybrid urban structure. The heart of the agglomeration is still Barcelona, established by the Phoenicians in a natural port at the foot of the Montjiuc hill, growing together with its neighbouring towns for more than two thousand years now, incessantly filling one fragment of natural landscape after another with urban fabric. Monumental edifices and high-rise buildings erected in all historic periods have been inorming visitors of the power of teh city and the same time defining places which are important for its urban composition and status. Recent decades have brought no revolutionary changes in this trend. What was changed, though, are the architectural forms of those most emblematic structures in the scale of the metropolis.

Most of the medieval Italian cities are civitas born of the ruins of the ancient Roman civilization. Their beauty ist the origin for deep esthetical experiences, to which Sławomir Gzell gave the name bellezza. There are a few characteristic features composing the "picturesqueness", painterliness and harmony of those cities, which lead the observer to strong emotions and constant, sensual exploration. The author contemplates the aspects creating the phenomrnon of beauty of Italian cities and towns - which are the metapfor of human desires and deepest cravings.