This article looks at Iranian television series and how their creators dealt with historical themes, especially those related to the Qajar dynasty and the Iranian Constitutional Movement. The study is focused on the works of three selected Iranian filmmakers - Ali Hatami, Mohammad Reza Varzi, and Mehran Modiri. Its main objective is to identify the dominant approach to history they have applied in their works. By analyzing their television activities, the paper discusses debates that accompanied serials broadcast, their reception among the critics, and seeks to reflect on the place and role historical productions play in the cultural, social, or political context in modern Iran.