Inspired by the Chicago School sociology and anthropology of Mary Douglas authors of the article show the special cultural status of new urban peripheries in comparison to villages, old urban peripheries and city centers. Critically they relate to the thesis that new urban peripheries are “cultural deserts” or “bedroom/dormitory suburbs”, considering them as a form of collective organization or sustained activity patterns that replace an original kind of culture. According to Mary Douglas villages are characterized by low level of social energy and high degree of collective control, and the city centers are characterized by high level of energy and low collective control. Referring to this classification the authors of the paper claim that new urban peripheries are characterized by both low energy and low collective control. A more detailed characterization of a new urban periphery is presented in the article on the basis of materials collected in several qualitative sociological research projects. In the light of the empirical material, it can be revealed that in new urban peripheries direct forms of collective control have been replaced by social non-interference, development of individualistic self-control and privatization of micro-spaces of living and transporting. It was noted that the intensive development of individualized outdoor activity leads to gradual formation of the new body type of a new urban periphery resident.

This text is devoted to selected questions on the border of the ethnography of Łódź and research into women’s issues, and thus joins the trend of women’s urban anthropology. The author reinterprets selected sources, such as various types of writings and field materials from the archives of the Institute of Ethnology and Cultural Anthropology of the University of Łódź. Her aim is to reconstruct the local ‘herstory’ from the ethnographic-anthropological perspective. She therefore looks at certain aspects of the life of textile workers and locates them in the context of the perceptions of femininity and the work ethic around which Łódź’s image (stereotypical and auto-stereotypical) was created.