Abstract
This study aims to report on how the use of the allocutive person suggested by “Ce que j’appelle
oubli”, eighth novel by Laurent Mauvignier, subsume many problematics that preside over the renewal
of contemporary fictional forms such as the polyphony of narrative voices, the difficulty of placing
an ‘I’ narrator confronted with the writing of society and particularly its minorities, as well as the
place of silence within/in the literary text.
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