@ARTICLE{Sokalska_Małgorzata_Operowa_2022,
 author={Sokalska, Małgorzata and Golianek, Ryszard Daniel},
 number={No 5 (374)},
 journal={Ruch Literacki},
 pages={837-858},
 howpublished={online},
 year={2022},
 publisher={Polska Akademia Nauk Oddział w Krakowie Komisja Historycznoliteracka},
 publisher={Uniwersytet Jagielloński Wydział Polonistyki},
 abstract={Don Quichotte, an opera by Jules Massenet to a French libretto by Henri Cain first performed in 1910, is one of the most suggestive examples of a transposition of a literary theme to musical theatre and of a creative adaptation of a literary source-text into an operatic libretto. This article explores the manner in which the opera creates a musical portrait of the main character and presents an interpretation of the opera’s narrative. The analysis is conducted on two levels, textual (the libretto) and musical (the score). The conclusion, apart from its summarizing function, offers an answer to the question about the attractiveness of the Don Quixote theme for musical adaptations.},
 type={Artykuł},
 title={Operowa transpozycja wątku Don Kichota: narracja literacka i muzyczna w dziele Jules’a Masseneta},
 URL={http://journals.pan.pl/Content/127068/PDF/2022-05-RL-08.pdf},
 doi={10.24425/rl.2022.142995},
 keywords={Don Kichot, Cervantes, Jules Massenet, opera, narracja literacka, charakterystyka muzyczna},
}