@ARTICLE{Partyka_Jacek_Deathfugue_2018,
 author={Partyka, Jacek},
 number={No 2},
 journal={Kwartalnik Neofilologiczny},
 howpublished={online},
 year={2018},
 publisher={Wydział I Nauk Humanistycznych i Społecznych PAN i Uniwersytet Warszawski},
 abstract={The article examines diverse relations between Cynthia Ozick’s The Shawl and the final distich of Paul Celan’s “Deathfugue,” which the American writer chose as an epigraph to her Holocaust prose. An intertextual analysis of both texts (which relate to each other in a midrash-like manner) demonstrates the existence of numerous parallels in the language and imagery used by both authors, as well as their identifiable references to the motif of “Death and the Maiden,” which can be found in German paintings (Grien, Deutsch) and music (Bach, Schubert, Wagner).},
 type={Artykuły / Articles},
 title={Deathfugue and the Maidens: The Intertextual Bonds Between Paul Celan’s “Todesfuge” and Cynthia Ozick’s "The Shawl" Re-Considered},
 URL={http://journals.pan.pl/Content/107331/PDF-MASTER/KN%202-18%2010-J.Partyka.pdf},
 keywords={Holocaust fiction, Holocaust poetry, Holocaust testimony, intertextuality, non-orthodoxmidrash, motif of “Death and the Maiden”},
}