@ARTICLE{Widota_Andrzej_On_2018, author={Widota, Andrzej}, number={No 2}, journal={Kwartalnik Neofilologiczny}, howpublished={online}, year={2018}, publisher={Wydział I Nauk Humanistycznych i Społecznych PAN i Uniwersytet Warszawski}, abstract={Marylin Diptych by Warhol consists of twenty-five brightly coloured pictures on the left and the twenty-five black and white ones on the right. Since Western cultures typically conceptualise space in terms of directional metaphors LEFT IS THE BEGINNING and RIGHT IS THE END, the common interpretation is that the colourful images represent Marylin’s life with the greyish ones corresponding to her death. One way of clearing some doubts concerning this interpretation of the work is to assume that the painter used reverse perspective, which he most probably knew from the art of the Byzantine icon.}, type={Artykuły / Articles}, title={On the Role of Reverse Perspective in "Marylin Diptych" by Andy Warhol. An Attempt at a Semiotic Analysis}, URL={http://journals.pan.pl/Content/107332/PDF-MASTER/KN%202-18%2011-A.Widota.pdf}, keywords={reverse perspective, pop art, Warhol Andy, semiotics, icon}, }