@ARTICLE{Markowska_Anna_The_2021,
 author={Markowska, Anna},
 volume={No XLVI},
 journal={Rocznik Historii Sztuki},
 pages={5-25},
 howpublished={online},
 year={2021},
 publisher={Komitet Nauk o Sztuce PAN},
 abstract={The aim of comparing Ecce Homo by Adam Chmielowski (late nineteenth century) with The Surrealist Shooting (1949) by Andrzej Wróblewski is to show how the ability to depict God was gradually breaking down in the modern period. While Chmielowski tried to overcome that deadlock, Wróblewski after having decided to join the Communist revolution, focused on depicting the retreating God.},
 type={Artykuły / Articles},
 title={The Vanishing World and Revolution. Modern Language of Art in Anticipation of Change},
 URL={http://journals.pan.pl/Content/121389/PDF-MASTER/2021-RHS-01-Markowska.pdf},
 doi={10.24425/rhs.2021.138206},
 keywords={image of God, Communist revolution, modern Polish painting, Adam Chmielowski, Andrzej Wróblewski},
}