@ARTICLE{Kasprowicz_Karol_The_2021,
 author={Kasprowicz, Karol},
 volume={tom 51},
 pages={111-133},
 journal={Historyka Studia Metodologiczne},
 howpublished={online},
 year={2021},
 publisher={Polska Akademia Nauk Oddział PAN w Krakowie},
 publisher={Instytut Historii Uniwersytetu Jagiellońskiego},
 abstract={In this paper, I will look at the functioning of space through a specific example of the practice of socially modelling past realities in the 1940 Exposition of the Portuguese World. (Exposição do Mundo Português). The perspective of the Exposition will allow us to analyse the model of the"Portuguese world" and propose the creation of an interpretative key, in order to understand the “essence” of Portuguese spatial imagery. We will look at the exhibition in the perspective of Krzysztof Pomian's semiophore theory, trying to interpret its main assumptions and the cultural patterns that fund it, as well as what kind of model of space it co‑creates. In the light of the exhibition we will try to answer the question of how space constitutes the mental foundation of the model of the"Portuguese world". And how the spatial patterns of Portuguese culture are made present through the selected semiophores of the Portuguese World Exhibition.},
 type={Artykuły / Articles},
 title={The Space in Historical Thinking. The portuguese world exhibition of 1940},
 URL={http://journals.pan.pl/Content/121529/PDF/2021-HSRK-06-Kasprowicz.pdf},
 doi={10.24425/hsm.2021.138367},
 keywords={space, semiophores, Portuguese World Exhibition, cultural patterns, “portuguese world”},
}