@ARTICLE{Folta-Rusin_Anna_New_2021,
 author={Folta-Rusin, Anna},
 number={No 3 (366)},
 journal={Ruch Literacki},
 pages={413-438},
 howpublished={online},
 year={2021},
 publisher={Polska Akademia Nauk Oddział w Krakowie Komisja Historycznoliteracka},
 publisher={Uniwersytet Jagielloński Wydział Polonistyki},
 abstract={This article contains analyses of the allegorical imagery in four video clips from Dorota Masłowska’s 2014 album Społeczeństwo jest niemiłe [Society is not nice], i.e. Żona piłkarza [Footballer’s wife], Ryszard [Richard], Prezydent [President] and Tęcza [Rainbow]. Each of them refers to an actual event, situation and character, described by means of stereotype word labels. The characters typify both the behaviour associated with certain social groups as well as some more persistent traits attributed to the Polish nation and Poland in general. The article examines the strategies and devices (parody, pastiche, irony, allusion) used by Dorota Masłowska to embed the intense specificity of her video stories in more general, allegorical narratives.},
 type={Artykuły / Articles},
 title={New Iconology: Dorota Masłowska’s allegorical videoclips},
 URL={http://journals.pan.pl/Content/121735/PDF/2021-03-RL-05-Folta-Rusin.pdf},
 doi={10.24425/rl.2021.137316},
 keywords={Polish contemporary art video, video clip, satire, specificity and generality, imagery, allegory, Dorota Masłowska (b. 1983)},
}