TY - JOUR N2 - The article offers an existential interpretation of Roman Polanski’s movie: Two men and the wardrobe (1958). Despite a large number of publications dealing with Polanski’s work, there is still no single study that would directly and primarily show the philosophical and existential potential of this short film. This article aims to amend this situation and reveal this potential. The paper is divided into five parts. Firstly, it depicts the issue of loneliness presented in Polanski’s film, referring – secondly – to the recognition of selected existential philosophers (J. Ortega y Gasset, E. Lévinas, J.‑P. Sartre, A. Camus). Thirdly, the article presents the specificity of the grotesque and absurd motifs characteristic for the film, exposing their connection with the problem of loneliness raised in it. Fourthly, the paper interprets the Polish director’s short film in the context of an authentic way of existence. It refers to the philosophy of Martin Heidegger, and emphasizes the gap between ‘being oneself’ and belonging to community (society). Finally, the article presents a psychological‑existential reading of Polanski’s short film, paying attention to the psychological determinants of human existence. L1 - http://journals.pan.pl/Content/123410/PDF-MASTER/2022-01-PFIL-04-Blaszczyk.pdf L2 - http://journals.pan.pl/Content/123410 PY - 2022 IS - No 1 EP - 87 DO - 10.24425/pfns.2022.141106 KW - absurd KW - existence KW - existentialism KW - grotesque KW - human being KW - loneliness A1 - Błaszczyk, Marek PB - Komitet Nauk Filozoficznych PAN PB - Wydział Filozofii Uniwersytetu Warszawskiego DA - 2022.06.14 T1 - Existential themes in Two men and the wardrobe by Roman Polanski SP - 65 UR - http://journals.pan.pl/dlibra/publication/edition/123410 T2 - Przegląd Filozoficzny. Nowa Seria ER -