Details

Title

Who are Our Gods? The Iconographic, Religious and Cosmic Commentary on William Shakespeare’s The Tempest by Wojciech Siudmak (1978)

Journal title

Rocznik Historii Sztuki

Affiliation

Laskowska-Hinz, Sabina : University of Warsaw

Authors

Keywords

Christ ; intermediality ; Prospero ; Shakespeare theatre poster ; Zeus

Divisions of PAS

Nauki Humanistyczne i Społeczne

Coverage

43-59

Publisher

Komitet Nauk o Sztuce PAN

Bibliography

Arnheim Rudolf, Art and Visual Perception. A Psychology of the Creative Eye, 2nd ed., California 1974.

Barthes Roland, The Death of the Author, [in:] Image Music Text, London 1977, pp. 142–148.

Brown Peter, Church and Leadership, [in:] A History of Private Life, Vol. I: From Pagan Rome to Byzantium, ed. Philippe Aries and Georges Duby, Cambridge, Massachusetts 1985, pp. 235–312.

Burton Diana, Nike, Dike and Zeus at Olympia: New Approaches, [in:] The Statue of Zeus at Olympia: New Approaches, ed. Janette McWilliam, Sonia Puttock, Tom Stevenson, and Rashna Taraporewalla, 1st ed., Newcastle upon Tyne 2011, pp. 51–60.

Butler Alban, Butler’s Lives of the Saints. Concise Edition, ed. Michael Walsh, San Francisco 1759.

Cox John D., Recovering Something Christian about “The Tempest”, “Christianity and Literature”, 2000, vol. 50, No. 1, pp. 31–51.

Dean John Candee, The Astronomy of Shakespeare, “The Scientific Monthly”, 1924, vol. 19, No. 4, pp. 400–406.

Durrant G.H., Prospero’s Wisdom, “Theoria: A Journal of Social and Political Theory”, 1955, No. 7, pp. 50–58.

Forstner Dorothea, Świat symboliki chrześcijańskiej, trans. and ed. Wanda Zakrzewska, Paweł Pachciarek, Ryszard Turzyński, Warszawa 1990.

Giorgi Rosa, Saints in Art, ed. Stefano Zuffi, Los Angeles 2002. Hamlin Hannibal, The Bible in Shakespeare, Oxford 2013.

Hao Yo, Ren Chi, The Exploration of the “Trinity” Prototype in The Tempest, “Canadian Social Science”, 2013, vol. 9, No. 6, pp. 195–98.

Heckenberg Kerry, The Statue of Zeus at Olympia and the Iconography of Power and Majesty in European, American and Australian Art, [in:] The Statue of Zeus at Olympia: New Approaches, ed. Janette MacWillaim, Sonia Puttock, Tom Stevenson, and Rashna Taraporewalla, 1st ed., Newcastle upon Tyne 2011, pp. 189–208.

Hunter Robert Grams, Shakespeare and the Comedy of Forgiveness, New York 1965.

Klibansky Raymond, Erwin Panofsky, and Fritz Saxl, Saturn and Melancholy. Studies in the History of Natural Philosophy, Religion and Art, Nendeln 1964.

Kott Jan, Shakespeare Our Contemporary, London 1965. Kott Jan, Szekspir współczesny, Warszawa 1965.

Lurker Manfred, Przesłanie symboli w mitach, kulturach i religiach, trans. Ryszard Wojnakowski, Warszawa 1990.

Makowiecka Elżbieta, Sztuka grecka, Wydawnictwo Uniwersytetu Warszawskiego, Warszawa 2007.

Marx Steven, A Masque of Revelation: “The Tempest” as Apocalypse, [in:] Shakespeare and the Bible, Oxford 2000, pp. 125–146.

Marx Steven, Genesis in “The Tempest”, [in:] Shakespeare and the Bible, Oxford University Press, Oxford 2000, pp. 19–39.

McClinton Brian, Prospero’s Myth, [in:] The Shakespeare Conspiracies. Untangling a 400-Years Web of Myth and Deceit, Cork 2007, pp. 418–437.

Mowat Barbara A., Prospero’s Book, “Shakespeare Quarterly”, 2001, vol. 52, No. 1, pp. 1–33.

Murphy Francos X., ed., A Monument to Saint Jerome: Essays on Some Aspects of His Life, Works, and Influence, New York 1952.

Oesterreicher-Mollwo Marianne, Leksykon symboli, trans. and ed. Lech Robakiewicz and Jerzy Prokopiuk, Warszawa 2009.

Panofsky Erwin, Studies in Iconology. Humanistic Themes in the Art of the Renaissance, Oxford 1939.

Phelan Peggy, Numbering “Prospero’s Books”, “Performing Arts Journal”, 1992, vol. 14, No. 2, p. 43.

Price Martin J., The Statue of Zeus at Olympia, [in:] The Seven Wonders of the Ancient World, ed. Peter A. Clayton and Martin J. Price, London and New York 1988, pp. 59–77.

Schiller Gertrud, Iconography of Christian Art, Vol. 2: The Passion of Jesus Christ, London 1972.

Shakespeare William, The Tempest, ed. Virginia Mason Vaughan and T. Alden Vaughan, London 1999.

Song Fengli, Purification as a To-Be: The Tempest and Shakespeare’s World of Imagery, “English Language and Literature Studies”, 2015, vol. 5, No. 4, pp. 145–53.

To ‘Dune’ and Beyond: The Interstellar Hyper-Realism of Wojciech Siudmak, https://dangerousminds.net/comments/ to_dune_and_beyond_the_interstellar_hyper-realism_of_wojciech_siudmak [accessed: 31.08.2020].

Urban David V., Prospero, the Divine Shepherd, and Providence: Psalm 23 as a Rubric for Alonso’s Redemptive Progress and the Providential Workings of Prospero’s Spiritual Restoration in Shakespeare’s “The Tempest”, “Religions”, 2019, vol. 10, No. 8, pp. 448–463.

Vaughan Virginia Mason and Alden T. Vaughan, The Tempest. Introduction, London 1999.

Zuffi Stefano, Jak czytać włoskie malarstwo renesansowe, ed. and trans. Dorota Folga-Januszewska, Kraków 2010.

Date

2021.11.10

Type

Article

Identifier

DOI: 10.24425/rhs.2021.138208
×