Abstract
In order to rebuild a poetic voice that had been threatened by major historical events, from 1958, the Nerudian poetic subject inaugurated a particular sincerity through the humor. By focusing on a figure of language described by Nicholas Manning in Rhétorique de la sincérité, this paper examines a dialectical mechanism at work in the volume: which is the rehabilitation of the poetic voice by means of the very questioning of his legitimacy.
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