Due to the changing social and program expectations teachers more often look for new and better solutions in the field of education and teaching. Among many teaching methods, the storyline method is a very popular one and is gaining now more and more recognition from pedagogues around the world. The method starts to have its supporters in Poland as well. This article will be devoted to the description of this innovative strategy.

This article discusses the issue of hypermodernity, which was studied as part of the research project Poles in the World of Late Capitalism. The article presents biographical models of hypermodernity and strategies of coping with hypermodern ideology, that is, cyclothymias, conversions, and hypermodern episodes.

This account examines how episodes are constructed and measured, and how Peirce’s Index informs and even hastens the advancement of this process—from binding spatial features, to the awareness of participant roles and temporal sequencing. It provides semiotic rationale for how episodes develop from static single pictures (dependent on verbatim memory) to events whose frames reflect a deictic and sequential character—superseding the consciousness inherent in autonoesis. Empirical evidence will trace children’s event memory—first iconic and static, and later characteristic of increasingly more complex interpretants which specify directional and logical relations, and memory sources. The signs which promote episodic thought are indexical in nature, given their largely relational character. They incorporate deictic projections of the self in diverse orientations, entering into different participant slots inherent to the event. Notice of the latter entails the influence of index to apprehend the spatial, participatory, and temporal directionality within and across event frames. This progression requires a rudimentary consciousness of aspectual features (telicity, dynamicity), as well as an appreciation for the events’ purposes/goals. Anticipating how, where, and when events conclude is critical to realizing the event’s purpose/goal, since, according to Bauer 2006: 384, it constitutes the basis upon which episodes are constructed.

In order to describe the features of Polish hospitality, autobiographical records containing memories of hospitality from various historical periods were compiled. The research material included about 300 episodes from 30 published sources. A targeted selection was made according to a combination of three criteria: a di versity of social positions among the authors, the biographies of the authors, and the detail of description. An analysis of the material was conducted in order to contribute to a better understanding of the social significance of hospitality. The oretical assumptions about hospitality in conditions of stability and social crisis were advanced. The analysis showed that in times of relative stability, hospital ity was biographically important when it allowed a person to transition between positions in the social structure (usually between close levels) and involved some form of promotion. On the other hand, in conditions of intensified change and crises, the order was disturbed: on the one hand, visits to the homes of persons occupying more distant positions in the hierarchy (both up and down the social ladder) became more common, but on the other hand, there could be a challenge to or rejection of traditional requirements of hospitality. The first situation occurs especially at the beginning of a crisis, and with the depletion of resources, the increase in the number of negative experiences, and socialization to a long-term threat, a survival strategy begins to take shape in which only the closest circles prevail. Such findings suggest that a more cautious look should be taken at both the theoretical concepts in which hospitality is considered a useful social invention especially in times of increased need and at the Polish self-stereotype as a nation with a culture based on hospitality, invariable generosity, and an inclination to selflessness.